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acoustic guitar artists Arts & Entertainment music

The Story Behind The Song


I’m always interested in the story behind a good song. “Carefree Highway” is one of Gordon Lightfoot’s most popular offerings. He released it on his Warner Reprise 1974 album “Sundown.” It has a free and easy feel and I found it relatively easy to learn.

Carefree Highway is the actual name of a section of Arizona State Route 74 in Maricopa County connecting I-17 to Darlington Drive near the town of Carefree. The Highway rolls through desert mountains, Saguaro cacti, and the mesas of Tonto National Forest.

Driving from one southwestern concert to another, Lightfoot saw the name Carefree Highway on a sign and thought it would make a good song title. He wrote it down and quickly added the lyrics on some scraps of paper. The song then hibernated in a glove compartment for eight months. Lightfoot says in one of his interviews that he almost forgot about it. Fortunately, he rediscovered the lyrics and wrote the tune for the song. Once released, “Carefree Highway” reached the top of the charts in the US and Canada.

In the lyrics, Lightfoot reminisces about a brief love he had with a woman named Anne when he was twenty-two. He wonders if Anne ever thinks of him as often as he thinks of her. In his song, “For Lovin’ Me,” released in1967, Lightfoot sings about all of the hearts he’s broken as a wandering lover who can’t be tied down. In “Carefree Highway,” the tables are turned. Anne quickly dumps Gordon. (Can you hear the cheering women in the background?) As a sidenote, Lightfoot no longer sings “For Lovin’ Me” since it is now politically incorrect.

Here’s my cover of “Carefree Highway.”

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acoustic guitar artists Arts & Entertainment music

Shadows Of Love


Gordon Lightfoot is one of those rare individuals who resides in the top echelon of his profession. It takes a huge deposit of raw talent, hard work, intestinal fortitude, and luck to reach the level of success Lightfoot has achieved in the music business. Amidst all of this recognition, Gordon remains a simple and straightforward man. He is a survivor with no plans to retire. At 83 years young, Lightfoot once dodged death when his manager found him lying on the floor of his dressing room with a burst aorta. Lightfoot has navigated numerous romantic relationships, spawned six children and five grandchildren, remained close with his offspring, and outlasted most of his contemporaries, not without some regrets.

When he comes on stage these days, Lightfoot often uses a misquote inaccurately attributed to Mark Twain: “Reports of my death have been greatly exaggerated.” In November of 2021, Lightfoot had the honor of re-opening the newly renovated Massey Hall in Toronto in a live performance. He has played the historic concert venue more than 160 times.

Lightfoot released his fifteenth original album in 1982 on Warner records. The songs on the album are slower and more contemplative than many of the songs he released in the prior decade. As is his custom, Lightfoot compiled the album’s songs from scraps of notes he collected in his briefcase and tapes he recorded at home.

Of the album’s title song, “Shadows,” Lightfoot has made a few somewhat vague comments. He says it was the best song he had at the time, and that it is about a particular problem he was going through in his life involving a man and a woman and nature.

I feel the song is quite beautiful. I’ve learned it the way Lightfoot plays it. Here is my cover of “Shadows.”

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acoustic guitar Arts & Entertainment folk music music

If You Could Read My Mind


I’m watching an interesting film titled “If You Could Read My Mind.” The Canadian documentary is about the life and career of Gordon Lightfoot.

Lightfoot arrived in downtown Toronto as a young man after growing up in Oridella, a small rural Canadian town. Since there were no clubs to play in at the time, Gordon landed a job in a bank to earn a living. Lightfoot was about to earn a promotion when he told his manager that he had decided to leave the bank to accept a role as an extra on a square dancing Canadian TV show. Lightfoot’s manager found it hard to believe that the young man was leaving a good job with a future to go square dancing.

As folk music became commercially viable in the late sixties, clubs began to spring up featuring promising musicians. Gordon landed a spot in one of them. He stood apart from the crowd because he performed many of his own songs in a characteristically pure voice. After he developed a following, a club owner invited Lightfoot to perform at his club across the street at twice the salary. Lightfoot gratefully accepted the invitation to perform at the Riverboat, Toronto’s premier folk music club.

With his beautiful voice and prolific outpouring of quality music, it was only a matter of time before Warner/Reprise records rewarded Lightfoot with a one million dollar recording contract, an unheard-of number for a Canadian singer. His first album with the new label was released in 1970 when Gordon was forty-two. Lightfoot had left United Artists after five albums because he felt they did not represent him adequately. “Sit Down Young Stranger” shipped 80,000 copies before sales stopped dead. The album “had no legs” in the industry’s parlance. Warner changed the name of the album and picked a new single to lead it off. “If You Could Read My Mind” became a runaway hit when an announcer on an important local radio station kept playing it. Sales of the album ballooned to 650,000 copies. The rest is history.

Here’s my cover of the song.

Gordon Lightfoot is not a “legend in his own mind” as Dirty Harry said about the perp he was about to blow away. Lightfoot is a genuine “legend in his own time.” He has been performing live well into his seventies and beyond. It is said that time waits for no man. Time may have made an exception in Mr. Lighfoot’s case.

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Arts & Entertainment humor inspiration Interviews music

The Gift


Jim Brickman at the Los Angeles Gracie Awards in 2013

Jim Brickman collaborated with Tom Douglas to write “The Gift.” Jim wrote the melody and Tom wrote the lyrics. Listening to many of Jim’s love songs, I can’t help but think that the man has a heart the size of Kansas.

I found an entertaining video on YouTube describing the story behind the making of The Gift. In the video, Jim reveals a healthy sense of humor about himself, and Tom tells the story with a healthy dose of humor. Here’s an edited version of the story’s opening. For the full version, click here.

Jim: “The Gift is the first song I wrote with Tom. It just felt right from the beginning. I have a recollection of our first meeting, but it’s not very clear. I’d like Tom to give his version of the story.”

Tom: “Mine’s not gonna be very flattering.”

Jim: “That’s alright. They know me.”

Tom: “So, I get a call from my agent saying I have America’s foremost Romantic songwriter and pianist who wants you to do a song with him. Needless to say, I was more than a little intimidated. I’d just moved to Nashville with my family, and I was nervous about everything. So, I walk in to meet Jim for the first time, and he’s matter-of-fact. ‘Hi. Good to meet you.’ That sort of thing. Then he starts in with, ‘I have this song with a title, The Gift. Here’s the goal: I want it to be spiritual, but not religious, seasonal, but not Christmas, and, I want it to be a love song.’

Tom (continued): “So, I’m thinking to myself, I made a terrible mistake leaving my hometown of Dallas. I was kinda like stunned, and Jim goes, ‘Here’s the melody. I’d like the syllables of the words to match the music.’ “And I’m thinking, really? Anything else? So, he goes ahead and plays the melody and I record it. Then he says, ‘Oh. One last thing: I need it by tomorrow.’

And so on. Let’s get to the music. Here’s my version.

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acoustic guitar Arts & Entertainment inspiration music

The Love of My Life


Love In An Open Field

When Jim Brickman began taking piano lessons at the age of five, his first teacher reported to the boy’s parents that he showed little promise as a future pianist. The student didn’t follow directions. He did things his own way.

I can think of four reasons why Jim’s first teacher thought so little of his potential. Either the boy was unusually rebellious, lacking in talent, or mentally ill. The fourth reason proved to be the right one. Jim was born with extraordinary talent. 

Fast forward a half-century. Jim Brickman is known as one of the world’s foremost Romantic songwriters and solo pianists.

Brickman started his career writing advertising jingles. To call the man persistent is probably an understatement.  

To his credit, Jim has recorded twenty-one number one albums, thirty-two top radio hits, and he has been nominated for two Grammy Awards. He is also a published author and appears on his own radio show, “The Jim Brickman Hour.” Not bad for a kid with no potential. 

Many of Jim’s songs have been covered by leading pop singers such as Carley Simon, Olivia Newton-John, Johnny Mathis, Kenny Logins, and others.   

“The Love of My Life” is one of Jim’s better-known and typically beautiful songs. I’ve adapted it for the acoustic guitar. Here’s my version. 

By Developing the Habit of Focus and Discipline You Will See Your Dreams Come True.

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folk music music Videos

Beauty In Blue


Beautiful Cornflowers Blooming In The Morning Sun.

I first heard “Cornflower Blue” as the opening song on Kate Wolf’s 1983 double album “Give Yourself to Love.” As I listened to the album many times over, “Cornflower Blue” grew on me (no pun intended). I began to appreciate the exquisite beauty in the lyrics and in Kate’s lovely singing voice.

Oftentimes, songs like this one will find their way into my heart and I feel compelled to play them myself. With this song, I had my doubts. The chances were good that I might not pull it off. Learning how to play “Cornflower Blue” like Kate does was like learning how to walk again. The style is completely counterintuitive to what I’m used to, but I’m glad I made the effort. I hope my cover of the song conveys some of the mystery and beauty of the original.

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Arts & Entertainment folk guitar music Videos

Going Gone In Love


Folk Music, Acoustic Guitar, Singers, Performers, Pop Music, Concerts, Country Music

“Deep in the waters of love I’m falling…Goin’ once–Goin’ twice–Goin’ gone.”

Nanci Griffith

“Goin’ Gone” is one of my favorite Nanci Griffith songs. She wrote it. She performs it. I should probably leave it at that.

At the risk of sounding sexist, I’ll say that only a woman could write this song. And, it’s probably appropriate that only a woman should sing it. At least in public.

So, why am I sitting here singing it for you?

Because it’s just so damn beautiful. I can’t freaking help it. Here’s my cover of the song.

As life is interrelated, the effort to cut oneself off from the other has the impact of cutting oneself off from oneself and life itself. We deny part of ourselves when we deny the other, as the other is indeed a part of us.

John A. Powell