I started out with the intention of learning the song “Beautiful” by Jim Brickman, and then stumbled upon a song by the same name taught by my good friend Jerry at Jerry’s Guitar Bar. Both songs are true to their titles, but the one by Brickman has some complex chords I’d have to figure out how to play. So, I took the easy way out and decided on “Beautiful” by Gordon Lightfoot because it comes with a tutorial. Please note: I really did try NOT to do another Lightfoot song, but here we go again.
Lightfoot had this comment about the song. “It’s about love fulfilled. One of those songs I’ve played every night for over a quarter-century, and I don’t get tired of it.”
Here’s my cover with help from Jerry.
Make the most of your time now because the world will get along just fine without you when your time comes.
I’m always interested in the story behind a good song. “Carefree Highway” is one of Gordon Lightfoot’s most popular offerings. He released it on his Warner Reprise 1974 album “Sundown.” It has a free and easy feel and I found it relatively easy to learn.
Carefree Highway is the actual name of a section of Arizona State Route 74 in Maricopa County connecting I-17 to Darlington Drive near the town of Carefree. The Highway rolls through desert mountains, Saguaro cacti, and the mesas of Tonto National Forest.
Driving from one southwestern concert to another, Lightfoot saw the name Carefree Highway on a sign and thought it would make a good song title. He wrote it down and quickly added the lyrics on some scraps of paper. The song then hibernated in a glove compartment for eight months. Lightfoot says in one of his interviews that he almost forgot about it. Fortunately, he rediscovered the lyrics and wrote the tune for the song. Once released, “Carefree Highway” reached the top of the charts in the US and Canada.
In the lyrics, Lightfoot reminisces about a brief love he had with a woman named Anne when he was twenty-two. He wonders if Anne ever thinks of him as often as he thinks of her. In his song, “For Lovin’ Me,” released in1967, Lightfoot sings about all of the hearts he’s broken as a wandering lover who can’t be tied down. In “Carefree Highway,” the tables are turned. Anne quickly dumps Gordon. (Can you hear the cheering women in the background?) As a sidenote, Lightfoot no longer sings “For Lovin’ Me” since it is now politically incorrect.
This phrase came to me when I woke up this morning. I have no idea what it means, but it sounds interesting. So…let’s go exploring.
It could be someone telling me to recall the wrong turns I’ve made in life. To be honest, I haven’t made that many, but I’ve made enough. I’ve come perilously close to crashing and burning more than once.
I believe each one of us is walking a tightrope across a broad and deep chasm. Somehow, most of us are making it across. We are doing so by the hand of grace. Because we are loved. You might even say cherished. It’s easy to forget this love, but it is always there, like a gentle hand, guiding us on our way. I may often feel alone, but truly, I am not.
I hope these words help you on your journey. Have a wonderful day!
Gordon Lightfoot is one of those rare individuals who resides in the top echelon of his profession. It takes a huge deposit of raw talent, hard work, intestinal fortitude, and luck to reach the level of success Lightfoot has achieved in the music business. Amidst all of this recognition, Gordon remains a simple and straightforward man. He is a survivor with no plans to retire. At 83 years young, Lightfoot once dodged death when his manager found him lying on the floor of his dressing room with a burst aorta. Lightfoot has navigated numerous romantic relationships, spawned six children and five grandchildren, remained close with his offspring, and outlasted most of his contemporaries, not without some regrets.
When he comes on stage these days, Lightfoot often uses a misquote inaccurately attributed to Mark Twain: “Reports of my death have been greatly exaggerated.” In November of 2021, Lightfoot had the honor of re-opening the newly renovated Massey Hall in Toronto in a live performance. He has played the historic concert venue more than 160 times.
Lightfoot released his fifteenth original album in 1982 on Warner records. The songs on the album are slower and more contemplative than many of the songs he released in the prior decade. As is his custom, Lightfoot compiled the album’s songs from scraps of notes he collected in his briefcase and tapes he recorded at home.
Of the album’s title song, “Shadows,” Lightfoot has made a few somewhat vague comments. He says it was the best song he had at the time, and that it is about a particular problem he was going through in his life involving a man and a woman and nature.
I feel the song is quite beautiful. I’ve learned it the way Lightfoot plays it. Here is my cover of “Shadows.”
Jim Brickman collaborated with Tom Douglas to write “The Gift.” Jim wrote the melody and Tom wrote the lyrics. Listening to many of Jim’s love songs, I can’t help but think that the man has a heart the size of Kansas.
I found an entertaining video on YouTube describing the story behind the making of The Gift. In the video, Jim reveals a healthy sense of humor about himself, and Tom tells the story with a healthy dose of humor. Here’s an edited version of the story’s opening. For the full version, click here.
Jim: “The Gift is the first song I wrote with Tom. It just felt right from the beginning. I have a recollection of our first meeting, but it’s not very clear. I’d like Tom to give his version of the story.”
Tom: “Mine’s not gonna be very flattering.”
Jim: “That’s alright. They know me.”
Tom: “So, I get a call from my agent saying I have America’s foremost Romantic songwriter and pianist who wants you to do a song with him. Needless to say, I was more than a little intimidated. I’d just moved to Nashville with my family, and I was nervous about everything. So, I walk in to meet Jim for the first time, and he’s matter-of-fact. ‘Hi. Good to meet you.’ That sort of thing. Then he starts in with, ‘I have this song with a title, The Gift. Here’s the goal: I want it to be spiritual, but not religious, seasonal, but not Christmas, and, I want it to be a love song.’
Tom (continued): “So, I’m thinking to myself, I made a terrible mistake leaving my hometown of Dallas. I was kinda like stunned, and Jim goes, ‘Here’s the melody. I’d like the syllables of the words to match the music.’ “And I’m thinking, really? Anything else? So, he goes ahead and plays the melody and I record it. Then he says, ‘Oh. One last thing: I need it by tomorrow.’
And so on. Let’s get to the music. Here’s my version.
When Jim Brickman began taking piano lessons at the age of five, his first teacher reported to the boy’s parents that he showed little promise as a future pianist. The student didn’t follow directions. He did things his own way.
I can think of four reasons why Jim’s first teacher thought so little of his potential. Either the boy was unusually rebellious, lacking in talent, or mentally ill. The fourth reason proved to be the right one. Jim was born with extraordinary talent.
Fast forward a half-century. Jim Brickman is known as one of the world’s foremost Romantic songwriters and solo pianists.
Brickman started his career writing advertising jingles. To call the man persistent is probably an understatement.
To his credit, Jim has recorded twenty-one number one albums, thirty-two top radio hits, and he has been nominated for two Grammy Awards. He is also a published author and appears on his own radio show, “The Jim Brickman Hour.” Not bad for a kid with no potential.
Many of Jim’s songs have been covered by leading pop singers such as Carley Simon, Olivia Newton-John, Johnny Mathis, Kenny Logins, and others.
“The Love of My Life” is one of Jim’s better-known and typically beautiful songs. I’ve adapted it for the acoustic guitar. Here’s my version.
By Developing the Habit of Focus and DisciplineYou Will See Your Dreams Come True.
Don McLean released his iconic album, “American Pie,” in 1971. The title song epitomizes the era of the nineteen sixties. A famous lyric from the title song; “the day the music died,” refers to the day Buddy Holly’s plane went down. Holly and the other passengers, including Ritchie Valens and The Bigg Bopper, all died in the crash. The song “American Pie” goes on for some nine minutes to memorialize other landmark events of the era in rich metaphors. Some of the other outstanding songs on the album include, “And I love You So,” “Crossroads,” “Empty Chairs,” and “Vincent.” I’ve covered these songs in earlier posts on this blog.
“Winterwood” is an upbeat love song featuring McLean’s typically vivid imagery. Technically, the title of the song does not exist in the English language. McLean invented the name to evoke the sights and sounds of a snowy mid-winter day with the sun peaking through barren tree branches and birds chirping in the background. The image came to Mclean as he rode through mid-winter streets recalling fond memories with his wife by his side. The image and the related memories stayed with the artist for six months until he finally wrote “Winterwood.”
The technique is a departure from the finger-picking method I used in many of the other songs I’ve posted. “Winterwood” is played entirely with a guitar pick (flat picking). I abbreviated the introductory lick because it might have taken me six months to learn.
“True Colors” is a song with legs. It started out as a song written for a mother in a traditional ballad format. Billy Steinberg and Tom Kelly wrote the song in 1986 and offered it to Anne Murray, a popular singer at the time. Murray passed on the song. Cyndi Lauper took it and creatively revamped the format into a stark and breathtaking version.
The song became a hit worldwide because of its universal appeal. The songwriters acknowledge that Lauper was the perfect artist to adapt the song partly because of her bold style. Released as the title song on Lauper’s 1986 album, “True Colors,” is the only original song on the album that the artist did not help to write.
In 1998, Phil Collins covered the song on his “Greatest Hits” album. Australian country music star Kasey Chambers covered the song as the theme for the 2003 Rugby World Cup. In 2007, Cindy Lauper launched “The True Colors Tour” to support gay rights and fight hate crimes. In 2016, Justin Timberlake and actress Anna Kendrick used the song in the soundtrack for the movie “Trolls.” Kodak also used the song to advertise their film stock.
Like I said: The song has legs. Here’s my version.
When someone shows you their true colors, don’t try to repaint them.
Time After Time is a Cyndi Lauper song. I’ve never been a big fan of her music, but that only means it doesn’t resonate with me in general. She has a big enough audience without me. This song caught my attention when I heard Eva Cassidy sing it in her beautiful, unique style. It has taken me a few weeks to learn because the fingering is complicated. Eva Cassidy is known for her divine vocals, but trust me, she can play the damn guitar.
The meaning behind a lyric can create a strong connection to a song. It can help you to form a bond with a singer-songwriter. It lets you know the artist has gone through some of the same things you have. Cyndi Lauper’s hit Time After Time is one of those songs for many people. The song was the second single for her debut album, She’s So Unusual. It was actually the last song written for the album, but it made a lasting impact on the album and Lauper’s career.
A TV Guide advertisement for a science fiction movie sparked the idea for the song. Using a simple set of piano chords, Lauper co-wrote the song with Rob Hyman. As the song evolved, for Lauper it became a response to an ex-lover who was “lost” and in need of help. She can’t move forward without him by her side.
Over a two-week period, Time After Time was written, recorded, and mastered straight to the album. There wasn’t time for a demo. The song went on to become a number one hit in the United States. Here’s my version of Time After Time “Eva Style.”
Breaking a big project down into little steps makes it possible to achieve the final result.
If you are a child of the 1960’s/70’s, then you’ve probably heard of Don McLean’s memorable hit song, “And I Love You So.” What you may not know is that the song was widely covered by other recording artists, most notably Elvis Presley and Perry Como. Yes, I said Perry Como.
It is a paradox that McLean created such beauty in his music while being a monster in his personal life. His controlling, verbally abusive treatment of his daughter left her with serious psychological disorders. His behavior ruined his marriage. I guess we are all Jekylls and Hydes. The differences individually lie in which side prevails and to what degree.
In a career that spanned decades, Don McLean wrote and recorded twenty-two studio albums, four live albums, and 16 singles. He is best known for his song and album of the same name, “American Pie.”
I’m constantly amazed at the way major recording artists create unique compositions to express their music. “And I Love You So” features an original picking method combined with interesting chord shapes. To learn to play a song the way the artist does is a great way to expand your musical scope and technique. It took the better part of three weeks to master this song. It has some beautiful riffs in it. Here is my version of McLean’s hit. I hope you enjoy it.
Take the next step that’s in your wheelhouse. This is the path to your success. Don’t overreach. Falling off a cliff is no fun.