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acoustic guitar artists Arts & Entertainment folk guitar folk music

Dylan Cover: Mr. Tambourine Man


Bob Dylan wrote and recorded the original version of “Mr. Tambourine Man,” but The Byrds’ electrified folk-rock version shot it to #1 on both the US and UK charts. The song hadn’t been released when The Byrds learned it from a demo Dylan gave to their manager, Jim Dickson.

Dylan released Tambourine Man in March 1965 on his Bringing It All Back Home album.

What is “Mr. Tambourine Man” about? On the surface, this tambourine man is a wandering musician whose music has captured Dylan under its spell. The song is considered by many to be about drug experiences, with lines like “Take me for a trip upon your magic swirling ship” and “Take me disappearin’ through the smoke rings of my mind.” Phrases like these suggest a marijuana or LSD trip. Dylan is famously close-lipped about explaining his songs, but in his 1985 Biograph compilation album, he revealed that “Mr. Tambourine Man” is not about drugs. Instead, he said the song was inspired by a backup folk musician named Bruce Langhorne, who played a large tambourine in one of Dylan’s recording sessions.

To me, the song’s poetic images are like impressionist paintings. The melody is haunting and mesmerizing. The song stands alone as a true work of art. Here’s my version.

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Arts & Entertainment current events Economy folk music

Dylan’s Words Echo Still


Bob Dylan wrote “When the Ship Comes In” in 1963 and released it on his “The Times They Are A-Changin’ ” album in 1964. Dylan was in an angry mood when he wrote the song after a hotel clerk refused him a room, thinking the artist was a deadbeat. Dylan finally scored a room after Joan Baez verified his good character. The song is violent and vengeful, but it is also hopeful. The song’s lyrics hint at a vision of a better world built on the ideals of an enlightened generation.

Sixty years have passed since the song first appeared. Aside from a more inclusive social fabric and our ever-advancing technology, I wonder if the times have changed that much. Dylan’s words still ring true in a world where:

  • The cruel and inhuman war in Ukraine rages on.
  • The leading Republican candidate faces numerous indictments for fraud and other misdeeds.
  • The US President’s son faces charges of selling access to his father, and the President may be implicated.
  • Selfish Aramco raises oil prices despite the devastating effect it will have on the world economy.
  • Oil companies make token gestures toward clean energy while sitting on their hands and raking in hundreds of billions in profits from the sale of fossil fuels.
  • Billions of people continue to live under dictatorships and go to bed hungry every night.
  • The clock is running out on Global Warming.

We need the social conscience and action of a generation of young people like the one we had in the sixties. Instead, we have a malaise of complacency and ignorance today with too few bright spots in between. But it’s not too late. “When the Ship Comes In” came to me in a dream. It came, literally, from out of nowhere. It must have come to me for a reason. Maybe Dylan’s resounding words will spark something in us. Here’s my cover.

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acoustic guitar Arts & Entertainment music profiles

I’ll Be Alright


Here’s another Gordon Lightfoot tune that may not be as recognizable as many of the other songs of his that I’ve covered here. Somehow, “I’ll be Alright” crept into my consciousness and I’m happy to offer my cover of the song in this post. To me, the song is as lovely and memorable as many of Lightfoot’s hits including: “If You Could Read My Mind,” “Early Morning Rain,” and “Song For A Winter’s Night.”

Please enjoy this remembrance of the one and only Gordon Lightfoot.

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acoustic guitar artists Arts & Entertainment music profiles

On The Road To Find Out


In this life, change is constant. This is not news to most of us. However, some things never change. A good example is the music of the artist profiled in this post. In 1977, after years of contemplation and a near-death experience with tuberculosis, Cat Stevens converted to Islam and radically changed his lifestyle. He is now known as Jusuf Islam, but the beauty and truth of his music haven’t changed. Jusuf’s songs have endured and are still relevant almost fifty years after they were released. His unique guitar style and vocalizations have remained bright, new, and refreshing through the intervening decades.

“On The Road To Find Out” is a song about a young man who sets out on a journey to clear his mind and see what he can discover. The song parallels Stevens’ life experiences. After a seven-month recovery from tuberculosis, Stevens felt a deep emptiness in his life and a yearning for something more. Out of these ashes, “On the Road to Find Out” was born. The lyrics are not about traveling in a physical sense. They are about Stevens discovering who he was and the purpose, if any, of his existence. Stevens achieved fame and fortune in 1967 at the age of only eighteen when his first three singles hit the charts in his native England. Like many of his recording artist peers, Stevens examined his noteworthy accomplishments and found they had not brought him the peace of mind or happiness he envisioned.

Many of Stevens’ songs reflect his quest for existential answers and a deep sense of fulfillment. I can only hope he found it.

Here’s my cover of this song’s rich lyrics and beautiful melody.

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Arts & Entertainment life memories music

Fill My Eyes


Cat Stevens rose to prominence as a folk and pop artist in the 1970’s. I’ve always enjoyed the thread of childlike innocence and spontaneity that runs through his music. After a near-death experience, Stevens began a serious search for a deeper meaning in life. In 1977, he left his rock and roll lifestyle and converted to Islam adopting the name Yusuf Islam.

Stevens released “In My Eyes” in April of 1970, years before his conversion. Like many of his songs, it is simple yet extremely poignant. It speaks of the impermanence of human love and of life itself. Paradoxically, “Fill My Eyes” flows like a sweet river and the meter is upbeat.

Here’s my cover of the song played in Yusuf/Stevens’ unique guitar style.

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artists Arts & Entertainment folk music profiles

Folk Legends Ian & Sylvia


Ian Tyson began making a living as a rodeo rider. After breaking an ankle in a spill, Tyson began playing the guitar. As things turned out, rodeo riding was not to be his destiny. Tyson went on to become a famous Canadian folksinger and songwriter. After spending an evening with Bob Dylan, Ian wrote his first song, namely “Four Strong Winds.” It is widely recognized as one of the best folk songs ever written.

While singing in clubs and on college campuses, Tyson met Sylvia Fricker. The duo began singing together and eventually became known throughout North America as Ian & Sylvia. After some time on the road, the duo decided to go to New York to seek a manager and a record label. They succeeded. Vanguard Records released their first album titled “Ian and Silvia” in 1962. The couple married three years later. Ian & Silvia, along with Gordon Lightfoot, are the most popular folk and pop recording artists to emerge from Canada.

“Four Strong Winds” is another song about lost love, but I find great beauty in the words and the melody. I hope you can too. The song is usually strummed, but I’m using a finger-picking method. Here’s my cover.

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artists Arts & Entertainment folk guitar music

Simple, Honest, Transparent, Beautiful


In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.

The song is replete with images. I particularly like the image conjured in the second verse illustrated below:

“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”

Here’s my cover of “September Song.”

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artists Arts & Entertainment inspiration music

“The Wind in My Soul”


Cat Stevens rose to prominence as a folk and pop artist in the 1970’s. I’ve always enjoyed the thread of childlike innocence and spontaneity that runs through his music. After a near-death experience, Stevens began a serious search for a deeper meaning in life. In 1977, he left his rock and roll lifestyle and converted to Islam adopting the name Yusuf Islam.

Stevens wrote “The Wind” five years before his conversion. The song has always been one of my favorites. It’s a simple song that speaks volumes. In a 2022 Rolling Stone interview, Stevens (Yusuf) shared these thoughts about The Wind:

“I’m talking to somebody; I think it’s the divine, but I’m not quite sure, and because I’m not sure, it’s universal. My goal was to be able to detach myself from my physical surroundings and material things. I was very earnestly searching. I would visit esoteric bookshops whenever I could, and pick up whatever new pathway to the truth I could find.”

Here’s my cover of the song played in Yusuf Islam’s unique guitar style.

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artists Arts & Entertainment folk guitar music

A Transcendent Voice


Photo by Nick Fang

Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.

A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.

Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.

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acoustic guitar Arts & Entertainment music profiles

From a Distance: The Song


A telephone call changed the life of Julie Gold. Although she had solid management, steady gigs, and a powerful repertoire, she failed to progress as a singer/songwriter until becoming involved with the Greenwich Village singer/songwriter scene. Performing at open mikes, Gold was befriended by Christine Lavin, who became her mentor.

When Julie’s parents sent her a piano she played while growing up, the first song she wrote on it was titled “From a Distance.” Lavin sent a tape of the song to a rising star on the country/folk music scene.

While working as a secretary for HBO in New York, Gold received her life-changing phone call from Nanci Griffith. Nanci wanted permission to record “From a Distance” on her cross-over album, Lone Star State of Mind. The album and the song went on to become big hits.

“From a Distance” became even more popular and won a Grammy Award for Song of the Year when Bette Midler recorded it in 1990.

Here is my cover of the song accompanied by an original guitar composition.

This blog post is dedicated to Toby Aurora Bentley. Toby was taken from us too soon. May she rest in peace and love until we can welcome her back.