Tag: guitar picking

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acoustic guitar artists Arts & Entertainment folk guitar folk music profiles

John Prine Encore: Day Is Done


“Day Is Done” is a simple song about a clandestine relationship. Since very little has been written about the song, it is difficult to pinpoint its exact meaning. It could be about two married adults having an illicit affair. The lyrics and tone, however, indicate a relationship between two adolescents forbidden by parents or society.

The drawings on the album cover of “Lost Dogs and Mixed Blessings,” where the song is one of the tracks, tend to support the theory of a prohibited young love.

In “Day is Done,” Prine has written a charming little song with universal implications. Many of his songs deal with the intricacies of human relationships and are laced with Prine’s subtle sense of humor. Lost Dogs and Mixed Blessings was John’s fourteenth album. Released in 1995, it is another example of the artist’s exploration of the human condition.

From humble beginnings, John Prine came a long way in his fifty-year career. He won Grammy Awards and was posthumously inducted into the Country and Folk Music Hall of Fame. What struck me, however, is this early recollection of his career. It is taken directly from Prine’s official website:

“Prine still remembers the first three songs he performed on any stage: Sam Stone, Hello in There, and Paradise. With humility, he recalls, “I sang those three songs and people just sat there and looked at me. I thought, ‘Wow, those are really bad.’ They wouldn’t even applaud.”

Things changed dramatically when a young journalist named Roger Ebert dropped into a Chicago folk club for a beer while John was on stage. Ebert wrote a glowing review of Prine’s performance in the Chicago Sun-Times which essentially launched John’s career.

Here’s my cover of “Day Is Done.”

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artists Arts & Entertainment music

Walking In Memphis


Is Marc Cohn a one-hit wonder? The answer, in a word, is “yes.” That being said, Walking in Memphis is a noteworthy accomplishment for a man who has spent most of his career steadfastly under the radar.

To his credit, Marc won a Golden Globe Award in 1991 for Best New Artist. Now, well into his fifties, Cohn is still touring with an ambitious schedule ahead in 2023.

Working on this song made me wonder: What made Elvis Presley so popular? In case you may be wondering too, here’s an article that helps to explain it.

Here’s my cover of “Walking in Memphis.”

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artists Arts & Entertainment folk guitar music

Simple, Honest, Transparent, Beautiful


In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.

The song is replete with images. I particularly like the image conjured in the second verse illustrated below:

“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”

Here’s my cover of “September Song.”

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artists Arts & Entertainment folk guitar music

A Transcendent Voice


Photo by Nick Fang

Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.

A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.

Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.

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acoustic guitar artists Arts & Entertainment folk music music

Across the Barrier of Time


I’ve always wanted to learn Kate Wolf’s guitar-picking style. Granted, she plays every song she’s written differently, but I just wanted a glimpse. Since Kate has mostly been an under-the-radar, brilliant singer/songwriter, no one has taken the time to create an accurate tutorial of her guitar method. That is until now. My go-to-teacher, Jerry Lamberth, best known for his unequaled guitar tutorial site (Jerry’s Guitar Bar) has finally posted the first of what I hope will be many lessons of Kate Wolf’s songs.

I’ve recorded Kate Wolf’s remarkable story and several of her songs on previous blogs. To learn more about this courageous and uniquely talented person, go to: “An Unfinished Life” “Gentle Love” “Feeling the Heart” and “Through Her Music”.

We lost Kate almost forty years ago to Leukemia, but her music has endured across the barrier of time. Coincidentally, the song is about memories of times past.

Not surprisingly, “Across the Great Divide” is one of Wolf’s most popular songs. Without Jerry’s help, I would never have figured out how to play the song Kate’s way. She uses a simple and at the same time complex alternating base method the likes of which I’ve never seen.

Kate wrote “Across The Great Divide” specifically for Robbie Osman’s folk-oriented show of the same name on KPFA radio, San Francisco. Robbie and Kate were friends who shared similar experiences.

This exercise might be a case of “careful what you wish for.” I busted my ass and fingers to learn this. Here’s my cover of the song.

If you love life with abandon, everything you want will come to you quickly and freely.

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acoustic guitar Arts & Entertainment music relationships

Reprise: And I love You So


Even if you aren’t a fan of seventies music, you’ve probably heard Don McLean’s hit song, “And I Love You So.” What you may not know is the song was widely covered by other recording artists, most notably Elvis Presley and Perry Como. Yes, I said Perry Como.

In a career that spanned decades, Don McLean wrote and recorded twenty-two studio albums, four live albums, and 16 singles. He is best known for his song and album of the same name, “American Pie.”

I’m constantly amazed at the way major recording artists create unique compositions to express their music. “And I Love You So” features an original picking method combined with interesting chord shapes. Learning to play a song the way the artist does is a great way to expand your musical scope and technique.

Here is my cover of McLean’s hit. I’ve re-recorded it one fret lower.

Take the next step that’s in your wheelhouse. This is the path to your success.

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acoustic guitar artists Arts & Entertainment music

Another Word For Love

Love In an Open Field

You might expect there to be, like the Hallmark cards, an overabundance of love songs about valentines. Well, I’m here to tell you there ain’t. Jim Brickman sought to rectify the situation when he co-wrote the song “Valentine” with Jack Kugell.

“I thought it was odd that for a day or for a word that is such a euphemism for love that there wasn’t a song that celebrated it, considering that most songs are love songs,” Brickman said in an interview. “The word ‘valentine’ is a euphemism for love or a replacement word for love, so I wrote it like, you are my love, only the song says, you are my valentine.”

Jim selected Country and Western singer Martina McBride to sing “Valentine” on his album “Picture This” which he released in 1997. Brickman said he selected McBride because he thought she sang like an Angel when he heard her debut album. I would have to agree with him.

To paraphrase, Brickman has said he feels that his music can go with anyone’s music collection. “We have different songs for different occasions. My songs are for romantic occasions.”

I would agree with Brickman there too. Here’s my cover.

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acoustic guitar artists Arts & Entertainment music

Beautiful

Beautiful Woman in a Field of Sunflowers
Photo by Ben Cheek on UnSplash

I started out with the intention of learning the song “Beautiful” by Jim Brickman, and then stumbled upon a song by the same name taught by my good friend Jerry at Jerry’s Guitar Bar. Both songs are true to their titles, but the one by Brickman has some complex chords I’d have to figure out how to play. So, I took the easy way out and decided on “Beautiful” by Gordon Lightfoot because it comes with a tutorial. Please note: I really did try NOT to do another Lightfoot song, but here we go again.

Lightfoot had this comment about the song. “It’s about love fulfilled. One of those songs I’ve played every night for over a quarter-century, and I don’t get tired of it.”

Here’s my cover with help from Jerry.

Make the most of your time now because the world will get along just fine without you when your time comes.

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acoustic guitar artists Arts & Entertainment music

Shadows Of Love


Gordon Lightfoot is one of those rare individuals who resides in the top echelon of his profession. It takes a huge deposit of raw talent, hard work, intestinal fortitude, and luck to reach the level of success Lightfoot has achieved in the music business. Amidst all of this recognition, Gordon remains a simple and straightforward man. He is a survivor with no plans to retire. At 83 years young, Lightfoot once dodged death when his manager found him lying on the floor of his dressing room with a burst aorta. Lightfoot has navigated numerous romantic relationships, spawned six children and five grandchildren, remained close with his offspring, and outlasted most of his contemporaries, not without some regrets.

When he comes on stage these days, Lightfoot often uses a misquote inaccurately attributed to Mark Twain: “Reports of my death have been greatly exaggerated.” In November of 2021, Lightfoot had the honor of re-opening the newly renovated Massey Hall in Toronto in a live performance. He has played the historic concert venue more than 160 times.

Lightfoot released his fifteenth original album in 1982 on Warner Records. The songs on the album are slower and more contemplative than many of the songs he released in the prior decade. As is his custom, Lightfoot compiled the album’s songs from scraps of notes he collected in his briefcase and tapes he recorded at home.

Of the album’s title song, “Shadows,” Lightfoot has made a few somewhat vague comments. He says it was the best song he had at the time, and that it is about a particular problem he was going through in his life involving a man and a woman, and nature.

I feel the song is quite beautiful. I’ve learned it the way Lightfoot plays it. Here is my cover of “Shadows.”

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acoustic guitar Arts & Entertainment folk music music

If You Could Read My Mind


I’m watching an interesting film titled “If You Could Read My Mind.” The Canadian documentary is about the life and career of Gordon Lightfoot.

Lightfoot arrived in downtown Toronto as a young man after growing up in Oridella, a small rural Canadian town. Since there were no clubs to play in at the time, Gordon landed a job in a bank to earn a living. Lightfoot was about to earn a promotion when he told his manager that he had decided to leave the bank to accept a role as an extra on a square dancing Canadian TV show. Lightfoot’s manager found it hard to believe that the young man was leaving a good job with a future to go square dancing.

As folk music became commercially viable in the late sixties, clubs began to spring up featuring promising musicians. Gordon landed a spot in one of them. He stood apart from the crowd because he performed many of his own songs in a characteristically pure voice. After he developed a following, a club owner invited Lightfoot to perform at his club across the street at twice the salary. Lightfoot gratefully accepted the invitation to perform at the Riverboat, Toronto’s premier folk music club.

With his beautiful voice and prolific outpouring of quality music, it was only a matter of time before Warner/Reprise records rewarded Lightfoot with a one million dollar recording contract, an unheard-of number for a Canadian singer. His first album with the new label was released in 1970 when Gordon was forty-two. Lightfoot had left United Artists after five albums because he felt they did not represent him adequately. “Sit Down Young Stranger” shipped 80,000 copies before sales stopped dead. The album “had no legs” in the industry’s parlance. Warner changed the name of the album and picked a new single to lead it off. “If You Could Read My Mind” became a runaway hit when an announcer on an important local radio station kept playing it. Sales of the album ballooned to 650,000 copies. The rest is history.

Here’s my cover of the song.

Gordon Lightfoot is not a “legend in his own mind” as Dirty Harry said about the perp he was about to blow away. Lightfoot is a genuine “legend in his own time.” He has been performing live well into his seventies and beyond. It is said that time waits for no man. Time may have made an exception in Mr. Lighfoot’s case.