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Arts & Entertainment folk guitar music

“American Pie” Gold Nuggets


“Crossroads” is another great song by Don McLean. It first appeared on his hit album, “American Pie.” Although the song is not as well-known as the title song and some of the other songs on the album (“Vincent” “And I Love You So” and “Empty Chairs“) Crossroads is nonetheless moving and beautiful.

On the surface, the song is about a man remembering a long-lost love with a sense of regret and a desire to turn back time. I believe the subtext of the song has a larger and more universal meaning: hope and happiness can be found with anything that joins us on the inevitable journey of life. It doesn’t have to be a lover or anyone in particular. It can be an idea, a thought, an emotion, or even an absence of something or someone. An absence can be as strong a motivator as a presence.

On the album, McLean performs the song on Piano. Fortunately, my good friend and tutor, Jerry’s Guitar Bar, has transposed the song for guitar. Here’s my version.

nuggets of gold

BELIEVE IN YOURSELF. BELIEVE IN A POSITIVE OUTCOME. AND, IT WILL BE SO.

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Arts & Entertainment folk guitar music

Empty Chairs: The Beauty of a Broken Heart


Like many of us, Don McLean suffered through difficult passages in his life, many of which are reflected in his music. He wrote and recorded “Empty Chairs” when his marriage was failing. Despite the subject of lost love, I feel there is incredible beauty in the lyrics and the melody, and Mclean’s unique guitar style. If you are tired of lost love songs, I recommend listening only to the melody and the guitar.

Although the title is mentioned just once in the song, McLean chose the symbol to sum up his feelings and state of mind at the time. The title is inspired by Vincent Van Gogh’s paintings of empty chairs. Mclean sympathized with Van Gogh and admired his paintings as revealed in his song “Vincent” recorded on the same album: “American Pie.”

The tutorial and the song are best played in the key of G. There are a few high notes I’ve done my best with. Please enjoy my version.

Be positive and stay faithful. Love will bloom anew.

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Arts & Entertainment folk guitar music

Kathy’s Song Eva Style


drizzle of the rain

Who doesn’t remember Simon and Garfunkle singing Kathy’s song? The answer is probably tons of people under the age of thirty, but who’s counting? The remarkable Paul Simon wrote Kathy’s Song. It was released in 1966 on the album Sounds of Silence. Along with the title tune, Kathy’s Song remains one of the duo’s most popular tracks. It is poetic, lyrical, and deeply moving.

Nearly thirty years later, along comes Eva Cassidy with her celestial voice and consummate guitar playing. Her version of Kathy’s song is characteristically unique and beautiful beyond words. If you like this kind of music, I urge you to listen to Eva’s version on YouTube. Eva doesn’t need an orchestra or a band to back her up. She plays and sings Kathy’s Song solo, and steals your heart away.

I’ve enjoyed learning how to play this song “Eva Style.” I found a good online tutorial by a guy who calls himself Ivor Sorefingers. Here’s my version.

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Arts & Entertainment folk music memories music

The Clancy Brothers: Re-Imagining Irish Folk Music


The Clancy Brothers Wore Aran Jumpers On Stage
A Little Boy Wearing an Aran Jumper

Paddy and Tom Clancy came to America intending to develop lucrative acting careers. Little did they know they were destined to succeed enormously in the music business while making a tremendous contribution to the form, awareness, and appreciation of classic Irish folk music.

After arriving in Greenwich Village in 1951, the enterprising duo quickly established themselves as successful Broadway, Off-Broadway, and television actors. During this period, the brothers also created their own theater production company which they named: “Trio Productions.” To help raise money for the new company, Tom and Paddy sang old Irish folk songs they had learned as children. They rented The Cherry Lane Theater in the Village and performed shows regularly on Saturday nights. Soon, they were joined by notable folk singers like Pete Seeger, Woody Guthrie, and Jean Ritchie.

Liam, the youngest of the three brothers, came to America in 1956. He joined his brothers in the singing group, along with his good friend, Tommy Makem. The group came to be known simply as “The Clancy Brothers and Tommy Makem.” The group distinguished themselves with their rousing style of singing Irish folk songs and ballads, while staying true to some of the slower and more mournful tunes.

The group adopted a trademark uniform after their mother, it is said, read about the inclement New York winters. She sent her boys Aran jumpers (sweaters) to keep them warm. The boys wore the sweaters for the first time at the Blue Angel nightclub in Manhattan as part of their regular winter attire. The group’s manager, Marty Erlichman, had been searching for a kind of logo-look for the group. When he saw the sweaters, he knew he had found the “special look” he was searching for. Erlichman asked the group to wear the sweaters for their first TV appearance on the Ed Sullivan Show. After that appearance, the Clancy Brothers and Makem wore the sweaters whenever they performed.

The Sullivan TV appearance aired to an audience of forty million. The TV show and the group’s nightclub appearances attracted the attention of a Columbia Records executive. They signed a $100,000 recording contract (a staggering sum at the time) with Columbia and recorded seven albums with the studio. While the members of the group changed from time to time, their success and influence on modern folk music has endured. In all, the group recorded 24 albums on various labels. In 1964, their albums accounted for one third of all the record albums sold in Ireland.

I first saw the Clancy Brothers at Carnegie Hall when I was a callow lad of seventeen. I went to the concert with my best friend. He remains my best friend today, even though he is half a world away. The song I’m about to sing has two names: “Will Ye Go Lassie Go” and “The Wild Mountain Thyme.” It’s a Clancy Brothers favorite. This one’s for you, Danny Boy.

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Arts & Entertainment folk guitar folk music Interviews music

An Unfinished Life


“I live for a sense of a feeling of purposefulness in this world, you know, that I could stop my life at any point and feel that my life has been worthwhile; that the people I’ve loved and my children have all reached a point where their lives are now going to come to fruit. And as far as something I live by, it’s to try to be as alive as possible and feel free to make my mistakes and try to be as honest as I can with myself.”

Kate Wolf–Singer Songwriter–1942-1986

Perhaps Kate Wolf had these thoughts in mind when she wrote the song “Unfinished Life.” It’s a haunting ballade filled with hard won wisdom, exquisite beauty, grace, and focused determination. The song is also ironically prophetic. Kate Wolf died tragically of Leukemia at the age of forty-four. Despite her abbreviated life span, she wrote over two hundred songs and performed them at venues in her native state of California and around the world. Kate’s life was, indeed, unfinished, but she left behind a treasure trove of beautiful music.

I first recorded “Unfinished Life” using a free-form guitar strumming method. Recently, while driving in my car, I listened to the song with a different pair of ears. I noticed the unique and highly effective guitar picking technique Kate used to express the words and melody of the song. After some trial and error, I’ve come up with a version that approximates Kate’s unparalleled recording.

“The future is not some place we are going, but one we are creating. The paths are not to be found, but made. And the activity of making them changes both the maker and the destination.”

JOHN SCHAAR

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folk guitar music poetry Videos

Through Her Music


I choose to wander in sunlight to avoid the riptide of darkness threatening to engulf our world.

I prefer to see and hear beauty.

I endeavor to open my heart to love. Not the love that comes and goes. Rather, to eternal love.

I am human. I need love and beauty as much as air and water.

Lately, I’ve been bathing in beauty, love, and light by listening and playing music. Specifically, one person’s music. Listen to my cover of Kate Wolf‘s “Muddy Roads” recorded on her last album (1986) Poet’s Heart. Tell me what you hear and feel.

“When we are connected — to our own purpose, to the community around us, and to our spiritual wisdom — we are able to live and act with authentic effectiveness​.”

MALIDOMA PATRICE SOMÉ

Gratefulness.org

Background Music Credits For Intro Video:

The Edge Will Follow by Javolenus (c) copyright 2012 
Ethereal Space by Snowflake (c) copyright 2011 
Homework by gurdonark (c) copyright 2010  
Reverie (small theme) by ghost (c) copyright 2010 

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folk music music Videos

Love In An Open Field


“Lay me Down Easy” is technically a blues song. To me, the song sounds upbeat with a whisper of the blues in the background. And there’s definitely an element of wry humor in the mix. Maybe “bitter sweet” is a better description of “Lay Me Down Easy.”

I’ve been playing many of Kate Wolf’s songs lately. The beauty of Kate’s music steals its way into my heart the more I listen to one of her songs. As illustrated by the photos, I’m feeling the joy and the love in the song more than the backdrop of the blues. Listen, and let me know how you receive it.

Loving Couple Laying Down After A Picnic In An Open Field

Photo by Vlada Karpovitch on Pexels

We must continually choose love in order to nourish our souls and drive away fear, just as we eat to nourish our bodies and drive away hunger.

ELISABETH KÜBLER-ROSS AND DAVID KESSLER

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folk music music Videos

Beauty In Blue


Beautiful Cornflowers Blooming In The Morning Sun.

I first heard “Cornflower Blue” as the opening song on Kate Wolf’s 1983 double album “Give Yourself to Love.” As I listened to the album many times over, “Cornflower Blue” grew on me (no pun intended). I began to appreciate the exquisite beauty in the lyrics and in Kate’s lovely singing voice.

Oftentimes, songs like this one will find their way into my heart and I feel compelled to play them myself. With this song, I had my doubts. The chances were good that I might not pull it off. Learning how to play “Cornflower Blue” like Kate does was like learning how to walk again. The style is completely counterintuitive to what I’m used to, but I’m glad I made the effort. I hope my cover of the song conveys some of the mystery and beauty of the original.

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Arts & Entertainment folk guitar music Videos

Going Gone In Love


Folk Music, Acoustic Guitar, Singers, Performers, Pop Music, Concerts, Country Music

“Deep in the waters of love I’m falling…Goin’ once–Goin’ twice–Goin’ gone.”

Nanci Griffith

“Goin’ Gone” is one of my favorite Nanci Griffith songs. She wrote it. She performs it. I should probably leave it at that.

At the risk of sounding sexist, I’ll say that only a woman could write this song. And, it’s probably appropriate that only a woman should sing it. At least in public.

So, why am I sitting here singing it for you?

Because it’s just so damn beautiful. I can’t freaking help it. Here’s my cover of the song.

As life is interrelated, the effort to cut oneself off from the other has the impact of cutting oneself off from oneself and life itself. We deny part of ourselves when we deny the other, as the other is indeed a part of us.

John A. Powell

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folk guitar folk music music Videos

Looking Back On Warm Times With Friends


Kate Wolf Playing The Trumpet Vine. Folk Guitar, Pop Music, Folksinger,

“With a voice that has all the sweetness of a California morning and the loneliness of the sea beating against its rocky shores, it’s a mystery why Kate Wolf went unnoticed for so long. Listening to her songs, you never feel like you’re hearing studio recordings made many years ago. Instead, it feels like the singer’s sitting next to you, picking a guitar and telling stories near to her heart. With just a few words, Kate Wolf creates a great sense of intimacy.”*

Certain songs speak to me. Kate Wolf’s “The Trumpet Vine” is one of them. It typifies the aching beauty of her music. Here’s my cover of the song.

*Excerpt from an article written by Kasper Nijsen