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acoustic guitar artists Arts & Entertainment music

Shadows Of Love


Gordon Lightfoot is one of those rare individuals who resides in the top echelon of his profession. It takes a huge deposit of raw talent, hard work, intestinal fortitude, and luck to reach the level of success Lightfoot has achieved in the music business. Amidst all of this recognition, Gordon remains a simple and straightforward man. He is a survivor with no plans to retire. At 83 years young, Lightfoot once dodged death when his manager found him lying on the floor of his dressing room with a burst aorta. Lightfoot has navigated numerous romantic relationships, spawned six children and five grandchildren, remained close with his offspring, and outlasted most of his contemporaries, not without some regrets.

When he comes on stage these days, Lightfoot often uses a misquote inaccurately attributed to Mark Twain: “Reports of my death have been greatly exaggerated.” In November of 2021, Lightfoot had the honor of re-opening the newly renovated Massey Hall in Toronto in a live performance. He has played the historic concert venue more than 160 times.

Lightfoot released his fifteenth original album in 1982 on Warner records. The songs on the album are slower and more contemplative than many of the songs he released in the prior decade. As is his custom, Lightfoot compiled the album’s songs from scraps of notes he collected in his briefcase and tapes he recorded at home.

Of the album’s title song, “Shadows,” Lightfoot has made a few somewhat vague comments. He says it was the best song he had at the time, and that it is about a particular problem he was going through in his life involving a man and a woman and nature.

I feel the song is quite beautiful. I’ve learned it the way Lightfoot plays it. Here is my cover of “Shadows.”

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acoustic guitar Arts & Entertainment folk music music

If You Could Read My Mind


I’m watching an interesting film titled “If You Could Read My Mind.” The Canadian documentary is about the life and career of Gordon Lightfoot.

Lightfoot arrived in downtown Toronto as a young man after growing up in Oridella, a small rural Canadian town. Since there were no clubs to play in at the time, Gordon landed a job in a bank to earn a living. Lightfoot was about to earn a promotion when he told his manager that he had decided to leave the bank to accept a role as an extra on a square dancing Canadian TV show. Lightfoot’s manager found it hard to believe that the young man was leaving a good job with a future to go square dancing.

As folk music became commercially viable in the late sixties, clubs began to spring up featuring promising musicians. Gordon landed a spot in one of them. He stood apart from the crowd because he performed many of his own songs in a characteristically pure voice. After he developed a following, a club owner invited Lightfoot to perform at his club across the street at twice the salary. Lightfoot gratefully accepted the invitation to perform at the Riverboat, Toronto’s premier folk music club.

With his beautiful voice and prolific outpouring of quality music, it was only a matter of time before Warner/Reprise records rewarded Lightfoot with a one million dollar recording contract, an unheard-of number for a Canadian singer. His first album with the new label was released in 1970 when Gordon was forty-two. Lightfoot had left United Artists after five albums because he felt they did not represent him adequately. “Sit Down Young Stranger” shipped 80,000 copies before sales stopped dead. The album “had no legs” in the industry’s parlance. Warner changed the name of the album and picked a new single to lead it off. “If You Could Read My Mind” became a runaway hit when an announcer on an important local radio station kept playing it. Sales of the album ballooned to 650,000 copies. The rest is history.

Here’s my cover of the song.

Gordon Lightfoot is not a “legend in his own mind” as Dirty Harry said about the perp he was about to blow away. Lightfoot is a genuine “legend in his own time.” He has been performing live well into his seventies and beyond. It is said that time waits for no man. Time may have made an exception in Mr. Lighfoot’s case.