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The Unlikely Musical Ascent Of Leonard Cohen


Suzanne: The Lady Of The Harbor

In his thirties, Leonard Cohen wrote novels, poetry, and the occasional song. These were his passions, and he hoped to make a living at them. Unfortunately, at this early stage in his career, Cohen realized these passions couldn’t support him. Most people at this point would, with a heavy heart and great disappointment, turn to a more mundane and practical way to make a living. Not Leonard. He decided to earn his way with another one of his loves: Country Music. Along the way, Cohen had taught himself to play the acoustic guitar.

It should be noted that most successful singer-songwriters begin to hone their musical talents from the ages of somewhere between five and twelve. Again, not Leonard. It should also be noted that the decade-long eruption of folk music from the early sixties to the early seventies had passed Cohen by, largely unnoticed. In other words, Cohen’s chances of a successful music career were less than his chances in the literary arts. People laughed at his hubris.

Now, here’s the interesting part. I will refer to my experiences with my father to illustrate the point I’m going to make. My father was a very successful businessman. I once asked him, “What is the secret of your success?” In his typical manner, he gave me a short answer: “In my early thirties,” he said, “I found out that I had the goods.” Translated, that means my dad discovered that he had the talent in spades to build companies and make money.

Okay, let’s go back to Leonard Cohen. On his way to Nashville, Cohen stopped in New York. There, someone introduced him to Judy Collins. What are the odds of a no-name like Leonard Cohen meeting a rising star like Miss Collins? I’d say at least 28 million to one. Unless there is another factor at play. And here’s what I believe. Because Leonard Cohen inherently “had the goods,” he met Judy Collins, and they became good friends. Eventually, Collins brought her friend’s work to the attention of a record label. In time, Cohen became a household name and an internationally known recording artist. Leonard Cohen, whether he knew it or not, had a remarkable musical talent. He had what it took to be a star.

And what I’ve discovered is that you can’t force it. Yes, it takes hard work to hone your talent, but don’t expect to be the 1% unless you are the 1%.

At some point, one has to accept whether or not one has “the goods.” I dreamed of becoming a widely read author. It never happened, but I’ve mellowed about it. I enjoy writing my little books that are read by my little audience. I never dreamed of reaching a broad audience with my music. But that has happened. It takes an effort, and I enjoy it almost as much as writing. I guess the moral of the story is to enjoy what you do if you are following your heart, and most importantly, don’t worry about the results.

Please enjoy my covers of Leonard’s beautiful song, Suzanne.

Solo Version

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‘Eternal Flame’: The Story Behind The Bangles’ Iconic Song


“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don’t remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it.

“Eternal Flame” became one of The Bangles’ biggest hits, reaching #1 in nine countries, including the USA in 1989.

I still don’t know why “Eternal Flame” barged unannounced into my head, but I’m glad it did. The song is BEAUTIFUL! Here’s my cover.

Enhanced Version

Original Version

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Honoring Love: A Tribute to ‘I’ll Never Find Another You’


The Seekers are an Australian band formed in 1962. The Folk and Gospel group achieved the zenith of their popularity in the mid ’60’s with several hit songs. Their most memorable chart-topper is a song titled “I’ll Never Find Another You.” It reached #1 on the UK charts in 1965, making the Seekers the only Australian band with a #1 hit song outside of Australia. The song reached #97 in the United States, quite a feat in itself. The group has continued to perform to standing ovations around the world into the 1990’s.

I am dedicating this song to my wife of 37 years, Bonnie Erens-Gittlin. Without exaggeration, every word in the lyrics applies. I am grateful to have spent my adult life with this woman and the beautiful daughter we have raised. Here’s my cover.

Listening to the Heart Brings Peace and Harmony into a Life

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Cat Stevens and Alun Davies: A Musical Journey


In this song, Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens’ love is unattainable in the present. Yet, I believe, the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet his perfect love, in either or both Human and Divine forms.

There are many interpretations of “How Can I Tell You.” In my view, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel the song is filled with incredible beauty that cannot help but shine through.

Stevens first met Alun Davies as a backup musician in a recording session. He liked what he heard. After another session, Stevens recognized that Davies was an exceptional talent. In a following private session, Stevens played something like fifty of his original songs for Davies, whereupon Davies decided Cat was also an exceptional talent. He agreed to accompany Stevens on an upcoming tour. After the tour, Davies became Stevens’ permanent 2nd guitar until Stevens stopped playing music with his conversion to Islam in 1977. When Stevens began performing again in 2003, the two artists reunited.

Here is a new version of “How Can I Tell You” with me playing and singing Davies’ now famous second guitar part.

Solo Version

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Steve Gillette: Influential Folk Artist and Songwriter


Have you heard of Steve Gillette? If you were alive in the 1960s and liked folk music, there’s a chance the name rings a bell. Gillette never reached the top of the charts, but he’s a very talented singer/songwriter. Many of his songs have been performed by artists you have heard ofincluding John Denver, Gordon Lightfoot, Ian and Sylvia, Nanci Griffith, and Linda Ronstadt.

“The Bells in the Evening” appears on Gillette’s debut album, released in 1967. The album, simply titled “Steve Gillette,” stands as one of Steve’s finest recordings. “The Bells” is a bittersweet (actually sweet-bitter) song of love blossoming in the spring and fading away in the fall. I find the melody and lyrics deeply moving. Perhaps you will, too. The song is also replete with imagery. When you listen, what images come to your mind?

I’ve revisited “The Bells of the Evening,” adding a new background track by Giovanni Egusquista. Here’s my cover.

“Bells In The Evening” With Backup Instrumentation

“Bells In The Evening” Solo

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Cat Stevens’ ‘Father and Son’: A Personal Reflection


“Father and Son” is a song about the age-old story where the father’s vision for his son does not align with his son’s dreams for the future. Cat Stevens refurbishes the story with his unique and beautiful phrasing in the lyrics and melody.

It has taken me some time to warm up to this song due to the violent rift I had with my father regarding my future. My Dad passed away in 2006, and now, in my older years, I can see and appreciate the opportunities he gave me. I am at peace with the relationship, and I am inspired by my father’s accomplishments.

You might think this song pertains to Cat Stevens’ struggles with his father, but that is not the case. His father owned a Greek restaurant, and like all fathers, wanted his son to join the business. Stevens, of course, had vastly different ideas. Wisely, his father never stood in the way of his son’s dreams.

Stevens wrote this song, imagining a Russian father and son differing about the son’s future. “Father and Son” was originally planned as part of a stage play. The project never saw the light of day. Stevens eventually released the song on his “Tea for the Tillerman” album.

Here’s my cover.

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Exploring Life’s Meaning in Cat Stevens’ Lyrics


Far from old age, Cat Stevens wrote “Oh Very Young” when he was twenty-five. The wisdom in the song surpasses Stevens’ chronology with lines like, “You’re only dancin’ on this Earth for a short while.” Stevens contracted tuberculosis when he was nineteen, and it almost killed him. After that experience, Stevens kept an eye on the Big Picture.

Always the explorer, Stevens sought the meaning and purpose of life, as illustrated in his songs like “On the Road to Find Out.” He eventually converted to Islam in 1977. Around the same time, he permanently left the world stage as a singer and songwriter. In his relatively short career, Cat Stevens left us with a body of music that is still relevant today and, to millions around the world, extremely enjoyable.

Originally, I played this song using a picking method, and then I switched to strumming. I watched a video of Stevens performing the song with a strumming method. I thought, I’ll never be able to play it that fast. To my amazement, I wound up playing the song as fast as Stevens when I strummed it. Interesting. Here’s my cover.

In case you’re interested, here’s the finger-picked version.

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Why “Always On My Mind” Became a Hit for Willie Nelson


Willie Nelson made “Always On My Mind” one of his signature songs. Upon hearing the song for the first time, Nelson knew that he wanted to add “Always On My Mind” to his repertoire. Several recording artists, including Elvis Presley, released the song unsuccessfully. When Nelson recorded it in 1982, the song became a smash hit. Nelson’s sensitive rendition made the song a top 5 hit and a Grammy nomination.

Wayne Carson wrote “Always” as an apology to his wife when he was working in a recording studio in Memphis and stayed ten days longer than he expected to. When Carson called his wife to tell her that he had to stay in Memphis longer, she let him have it. To make his wife feel better, Carson told her she was “always on his mind.”

“It just struck me like someone had hit me with a hammer,” Carson told the LA Times. “I told [my wife] real fast I had to hang up because I had to put that into a song.  ‘Always’ is about one long apology. I guess there are a lot of people in the world who are looking for a way to say [what the lyrics express] in a song.”

“Always On My Mind” popped into my head from out of nowhere. Coincidentally, I’ve been hearing it at the gym where I work out, but after the fact. I’ve decided that it’s a reminder from the cosmos to appreciate my loyal wife of thirty-six years. Here’s my cover played in Nelson’s style.

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An Insight Into Jackson Brown’s Unique Music


Jackson Browne’s guitar techniques, lyrics, and melodies stand apart from the crowd. What he says through his music is sometimes searing, sad, and occasionally, happy. However, all of Browne’s songs have something in common: an incredible sensitivity and beauty.

Browne wrote “These Days” when he was only sixteen years old. Despite his youth, Browne demonstrated a keen sense of heartbreak. I’m not sure how a sixteen-year-old could feel the depth of emotion and remorse expressed in this song. If we assume Jackson experienced and gave voice to the words and tone of “These Days,” then he was wise beyond his years and deeply rooted in himself from early on.

The song had its first release when a protégé of Andy Warhol named Nico picked it up on her “Chelsea Girl” album. Brown played acoustic guitar in the background. “These Days” gained wider recognition when several artists subsequently covered it.

Brown eventually released his version of the song in 1973 on the album “For Everyman.” He rewrote “These Days” to make it more optimistic. In his own words, Jackson remembers, “Over the rest of my teenage years and into my 20s, I developed a kind of optimism, a kind of resoluteness, so I changed [one verse] to: ‘I’ll keep on moving, keep improving.’ That’s more to me what life is made of, the idea that I’ll get through this, I’ll continue looking.”

I’ve always wanted to play this song the way Jackson Browne does. Thanks to my friend Jerry Lambert, I can now do it. Here’s my cover.

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Discovering the Beauty of Kate Wolf’s ‘Cornflower Blue’


I first heard “Cornflower Blue” as the opening song on Kate Wolf’s 1983 double album “Give Yourself to Love.” As I listened to the album many times over, “Cornflower Blue” grew on me (no pun intended). I began to appreciate the exquisite beauty in the lyrics and in Kate’s lovely singing voice.

Oftentimes, songs like this one will find their way into my heart and I feel compelled to play them myself. With this song, I had my doubts. The chances were good that I might not pull it off. Learning how to play “Cornflower Blue” like Kate does was like learning how to walk again. The style is completely counterintuitive to what I’m used to, but I’m glad I made the effort. I hope my cover of the song conveys some of the mystery and beauty of the original.