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The Unlikely Musical Ascent Of Leonard Cohen


Suzanne: The Lady Of The Harbor

In his thirties, Leonard Cohen wrote novels, poetry, and the occasional song. These were his passions, and he hoped to make a living at them. Unfortunately, at this early stage in his career, Cohen realized these passions couldn’t support him. Most people at this point would, with a heavy heart and great disappointment, turn to a more mundane and practical way to make a living. Not Leonard. He decided to earn his way with another one of his loves: Country Music. Along the way, Cohen had taught himself to play the acoustic guitar.

It should be noted that most successful singer-songwriters begin to hone their musical talents from the ages of somewhere between five and twelve. Again, not Leonard. It should also be noted that the decade-long eruption of folk music from the early sixties to the early seventies had passed Cohen by, largely unnoticed. In other words, Cohen’s chances of a successful music career were less than his chances in the literary arts. People laughed at his hubris.

Now, here’s the interesting part. I will refer to my experiences with my father to illustrate the point I’m going to make. My father was a very successful businessman. I once asked him, “What is the secret of your success?” In his typical manner, he gave me a short answer: “In my early thirties,” he said, “I found out that I had the goods.” Translated, that means my dad discovered that he had the talent in spades to build companies and make money.

Okay, let’s go back to Leonard Cohen. On his way to Nashville, Cohen stopped in New York. There, someone introduced him to Judy Collins. What are the odds of a no-name like Leonard Cohen meeting a rising star like Miss Collins? I’d say at least 28 million to one. Unless there is another factor at play. And here’s what I believe. Because Leonard Cohen inherently “had the goods,” he met Judy Collins, and they became good friends. Eventually, Collins brought her friend’s work to the attention of a record label. In time, Cohen became a household name and an internationally known recording artist. Leonard Cohen, whether he knew it or not, had a remarkable musical talent. He had what it took to be a star.

And what I’ve discovered is that you can’t force it. Yes, it takes hard work to hone your talent, but don’t expect to be the 1% unless you are the 1%.

At some point, one has to accept whether or not one has “the goods.” I dreamed of becoming a widely read author. It never happened, but I’ve mellowed about it. I enjoy writing my little books that are read by my little audience. I never dreamed of reaching a broad audience with my music. But that has happened. It takes an effort, and I enjoy it almost as much as writing. I guess the moral of the story is to enjoy what you do if you are following your heart, and most importantly, don’t worry about the results.

Please enjoy my covers of Leonard’s beautiful song, Suzanne.

Solo Version

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‘Eternal Flame’: The Story Behind The Bangles’ Iconic Song


“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don’t remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it.

“Eternal Flame” became one of The Bangles’ biggest hits, reaching #1 in nine countries, including the USA in 1989.

I still don’t know why “Eternal Flame” barged unannounced into my head, but I’m glad it did. The song is BEAUTIFUL! Here’s my cover.

Enhanced Version

Original Version

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The Evolution Of A Hit Song In Brief


It started out as a poem. Then it turned into a song. Then it became a background song for the movie “Beaches.” After various song covers at home and abroad, in 1988, Bette Midler made “Wind Beneath My Wings” a #1 hit in the USA. A year later, the song won Grammy Awards for both Record of the Year and Song of the Year.

Vocal and Guitar Solo

With Background Instrumentation

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How An 18-Year-Old Songwriter Became A Superstar


Cat Stevens wrote “The First Cut Is The Deepest” when he was eighteen. At the time, he had no intention of becoming a worldwide star performer. He sold the song for thirty pounds to P.P. Arnold, a soul singer who lived near him in London. She released “The First Cut Is The Deepest” on her first album. It reached #18 on the U.K. charts in 1967. Eventually, Rod Stewart and Sheryl Crow covered the song, making it a major hit in America.

Stevens released his version of the song on his debut album, New Masters. Because he never released “The First Cut Is the Deepest” as a single, the album went largely unnoticed.

Despite his shyness, Stevens’ songwriting and singing burst through to make him an international star in the music industry. I’m using Stevens’ version in my cover.

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Honoring Love: A Tribute to ‘I’ll Never Find Another You’


The Seekers are an Australian band formed in 1962. The Folk and Gospel group achieved the zenith of their popularity in the mid ’60’s with several hit songs. Their most memorable chart-topper is a song titled “I’ll Never Find Another You.” It reached #1 on the UK charts in 1965, making the Seekers the only Australian band with a #1 hit song outside of Australia. The song reached #97 in the United States, quite a feat in itself. The group has continued to perform to standing ovations around the world into the 1990’s.

I am dedicating this song to my wife of 37 years, Bonnie Erens-Gittlin. Without exaggeration, every word in the lyrics applies. I am grateful to have spent my adult life with this woman and the beautiful daughter we have raised. Here’s my cover.

Listening to the Heart Brings Peace and Harmony into a Life

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Your True Colors Are Beautiful


“True Colors” is a song with legs. It started out as a song written for a mother in a traditional ballad format. Billy Steinberg and Tom Kelly wrote the song in 1986 and offered it to Anne Murray, a popular singer at the time. Murray passed on the song. Cyndi Lauper took it and creatively revamped the format into a stark and breathtaking version.

The song became a hit worldwide because of its universal appeal. The songwriters acknowledge that Lauper was the perfect artist to adapt the song, partly because of her bold style. Released as the title song on Lauper’s 1986 album, “True Colors” is the only original song on the album that the artist did not help to write. The song was a last-minute addition to the album.

In 1998, Phil Collins covered the song on his “Greatest Hits” album. Australian country music star Kasey Chambers covered the song as the theme for the 2003 Rugby World Cup. In 2007, Cindy Lauper launched “The True Colors Tour” to support gay rights and fight hate crimes. In 2016, Justin Timberlake and actress Anna Kendrick used the song in the soundtrack for the movie “Trolls.” Kodak also used the song to advertise its film stock. Like I said: the song has legs.

“True Colors” is one of my all-time favorite songs. I hope you’ll enjoy it too. This new version has a special backup created by my friend, Giovanni Estigui. Here’s my cover.

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Cat Stevens and Alun Davies: A Musical Journey


In this song, Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens’ love is unattainable in the present. Yet, I believe, the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet his perfect love, in either or both Human and Divine forms.

There are many interpretations of “How Can I Tell You.” In my view, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel the song is filled with incredible beauty that cannot help but shine through.

Stevens first met Alun Davies as a backup musician in a recording session. He liked what he heard. After another session, Stevens recognized that Davies was an exceptional talent. In a following private session, Stevens played something like fifty of his original songs for Davies, whereupon Davies decided Cat was also an exceptional talent. He agreed to accompany Stevens on an upcoming tour. After the tour, Davies became Stevens’ permanent 2nd guitar until Stevens stopped playing music with his conversion to Islam in 1977. When Stevens began performing again in 2003, the two artists reunited.

Here is a new version of “How Can I Tell You” with me playing and singing Davies’ now famous second guitar part.

Solo Version

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Steve Gillette: Influential Folk Artist and Songwriter


Have you heard of Steve Gillette? If you were alive in the 1960s and liked folk music, there’s a chance the name rings a bell. Gillette never reached the top of the charts, but he’s a very talented singer/songwriter. Many of his songs have been performed by artists you have heard ofincluding John Denver, Gordon Lightfoot, Ian and Sylvia, Nanci Griffith, and Linda Ronstadt.

“The Bells in the Evening” appears on Gillette’s debut album, released in 1967. The album, simply titled “Steve Gillette,” stands as one of Steve’s finest recordings. “The Bells” is a bittersweet (actually sweet-bitter) song of love blossoming in the spring and fading away in the fall. I find the melody and lyrics deeply moving. Perhaps you will, too. The song is also replete with imagery. When you listen, what images come to your mind?

I’ve revisited “The Bells of the Evening,” adding a new background track by Giovanni Egusquista. Here’s my cover.

“Bells In The Evening” With Backup Instrumentation

“Bells In The Evening” Solo

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Heartfelt And True: “Everything I Do” Cover


A movie studio commissioned a composer to write a song for Kevin Costner’s Film, “Prince of Thieves.” He wrote the music for “Everything I Do.” Bryan Adams, with his producer Mutt Lange, wrote the lyrics, bridge, arrangement, and outro. Adams used a line from the movie for the song title.

The studio did not like the instrumentation in the finished product. They buried it midway in the credits, not anticipating what a huge hit the song would become.

“Everything I Do” is one of the most successful singles of all time, selling over 3 million copies. It was #1 for 16 weeks in England and seven weeks in the United States.

Enjoy my cover with background instrumentation by Giovanni Egusquiza. 

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“Heaven” 2.0 With Digital Backup


Here’s my cover, produced with an incredible guy I’m working with to create unique recordings of beautiful music written by masterful artists of the past 60 years.