In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.
The song is replete with images. I particularly like the image conjured in the second verse illustrated below:
“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”
Cat Stevens rose to prominence as a folk and pop artist in the 1970s. I’ve always enjoyed the thread of childlike innocence and spontaneity that runs through his music. After a near-death experience, Stevens began a serious search for a deeper meaning in life. In 1977, he left his rock and roll lifestyle and converted to Islam adopting the name Yusuf Islam.
Stevens wrote “The Wind” five years before his conversion. The song has always been one of my favorites. It’s a simple song that speaks volumes. In a 2022 Rolling Stone interview, Stevens (Yusuf) shared these thoughts about The Wind:
“I’m talking to somebody; I think it’s the divine, but I’m not quite sure, and because I’m not sure, it’s universal. My goal was to be able to detach myself from my physical surroundings and material things. I was very earnestly searching. I would visit esoteric bookshops whenever I could, and pick up whatever new pathway to the truth I could find.”
Here’s my cover of the song played in Yusuf Islam’s unique guitar style.
Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.
A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.
Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.
The Silver Sphere Trilogy is updated and thoroughly edited for your reading pleasure. Read and enjoy the entire story in one book. A two-chapter introduction to “Time Terminus—Expect the Unexpected” is included as a bonus.
The story begins with mystery writer Jacob Casell strolling on a moonlit beach contemplating the ending of his over-due manuscript. When Jacob stumbles across a shiny silver sphere, the artificial intelligence inside speaks to him telepathically. Jacob’s startling discovery is only the beginning of a real-life adventure that goes beyond anything his creative imagination has ever conceived. An apocalyptic event is hurtling toward the Earth at the speed of light, and there is no time to waste. The odds of surviving the catastrophe are shrinking by the second.
“The Silver Sphere: It’s Coming–No Time to Waste” is the first book in the series. The story continues in book 2: “Cataclysm: End of Worlds” and concludes in book 3: “Promise of the Visitor.”
“A delightful romp with spaceships, suspense, and assorted aliens.”
I’ve always wanted to learn Kate Wolf’s guitar-picking style. Granted, she plays every song she’s written differently, but I just wanted a glimpse. Since Kate has mostly been an under-the-radar, brilliant singer/songwriter, no one has taken the time to create an accurate tutorial of her guitar method. That is until now. My go-to-teacher, Jerry Lamberth, best known for his unequaled guitar tutorial site (Jerry’s Guitar Bar) has finally posted the first of what I hope will be many lessons of Kate Wolf’s songs.
We lost Kate almost forty years ago to Leukemia, but her music has endured across the barrier of time. Coincidentally, the song is about memories of times past.
Not surprisingly, “Across the Great Divide” is one of Wolf’s most popular songs. Without Jerry’s help, I would never have figured out how to play the song Kate’s way. She uses a simple and at the same time complex alternating base method the likes of which I’ve never seen.
Kate wrote “Across The Great Divide” specifically for Robbie Osman’s folk-oriented show of the same name on KPFA radio, San Francisco. Robbie and Kate were friends who shared similar experiences.
This exercise might be a case of “careful what you wish for.” I busted my ass and fingers to learn this. Here’s my cover of the song.
If you love life with abandon, everything you want will come to you quickly and freely.
Jefferson Airplane was one of the premiere psychedelic rock bands of the nineteen-sixties. The Airplane epitomized the subversive love and drug culture that emerged from psycho-active drugs like LSD, Marijuana, Mescaline, and Peyote. The band came to prominence in San Francisco in 1965. The original group of six, featuring lead singer Grace Slick, had a seven-year run. Later incarnations of the group lasted until 1990, but the original group spawned the songs that mattered. “Comin’ Back to Me” is one of those hits. The piece appeared on the band’s second album, Surrealistic Pillow.
The story behind “Comin’ Back to Me” goes like this. While sharing a joint of righteous Marijuana with blues guitarist and harpist Paul Butterfield, Marty Balin wrote the song in five minutes. “It just popped out,” Balin said in an interview. He immediately went to the studio to record the song with any available musicians there. Jerry Garcia happened to be one of them.
In addition to being one of the Airplane’s greatest hits, the song was covered by major recording artists like Richie Havens, and versions of it appear as background music in several Hollywood feature films.
A telephone call changed the life of Julie Gold. Although she had solid management, steady gigs, and a powerful repertoire, she failed to progress as a singer/songwriter until becoming involved with the Greenwich Village singer/songwriter scene. Performing at open mikes, Gold was befriended by Christine Lavin, who became her mentor.
When Julie’s parents sent her a piano she played while growing up, the first song she wrote on it was titled “From a Distance.” Lavin sent a tape of the song to a rising star on the country/folk music scene.
While working as a secretary for HBO in New York, Gold received her life-changing phone call from Nanci Griffith. Nanci wanted permission to record “From a Distance” on her cross-over album, Lone Star State of Mind. The album and the song went on to become big hits.
“From a Distance” became even more popular and won a Grammy Award for Song of the Year when Bette Midler recorded it in 1990.
Here is my cover of the song accompanied by an original guitar composition.
This blog post is dedicated to Toby Aurora Bentley. Toby was taken from us too soon. May she rest in peace and love until we can welcome her back.
Even if you aren’t a fan of seventies music, you’ve probably heard Don McLean’s hit song, “And I Love You So.” What you may not know is that the song was widely covered by other recording artists, most notably Elvis Presley and Perry Como. Yes, I said Perry Como.
In a career that spanned decades, Don McLean wrote and recorded twenty-two studio albums, four live albums, and 16 singles. He is best known for his song and album of the same name, “American Pie.”
I’m constantly amazed at the way major recording artists create unique compositions to express their music. “And I Love You So” features an original picking method combined with interesting chord shapes. Learning to play a song the way the artist does is a great way to expand your musical scope and technique.
Here is my cover of McLean’s hit. I’ve re-recorded it one fret lower.
Take the next step that’s in your wheelhouse. This is the path to your success.
Singer and songwriter Raffi has conveyed a central message of respect for children and people of all races throughout his forty-year career of entertaining children’s audiences worldwide. The Washington Post has called him “the most popular children’s singer in the English-speaking world.” Raffi has recorded dozens of albums and sold more than fifteen million records. He has also written books for children and adults.
Raffi Cavoukian was born to Armenian parents in Cairo, Egypt. In 1958, the family fled genocide in Turkey and immigrated to Toronto, Canada. Raffi began his musical career singing to children and parents in libraries and eventually in concerts. He says about those early years:
“I thought about who these children were as people. My audience was full of children ranging in age from three to seven years. I wanted to learn about these young people, and the more I learned, the more I was fascinated by how intelligent, spontaneous, and delightful young children are. I was full of admiration for who I call humanity’s ‘primary learners.’ By observing and interacting with these children, I learned something profound: Play is an intelligence that we’re not supposed to lose in our lives. I came to admire and respect the young child as a whole person. That value of respect has guided my whole career.”
Like many parents, I became aware of Raffi’s music when my daughter was a child. Perhaps having a child is a secret door through which only parents and children can pass to hear Raffi’s music.
Raffi has toured the world with his Rise and Shine Band beguiling children and parents alike with his joyful and magical music. His song, “Rise and Shine” quickly became one of my favorites. I played and sang it for my daughter, Danielle when she was a child. Now, it’s my pleasure to play it for my granddaughter, Ashley.
Heart Banter by David Gittlin 