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The Unlikely Musical Ascent Of Leonard Cohen


Suzanne: The Lady Of The Harbor

In his thirties, Leonard Cohen wrote novels, poetry, and the occasional song. These were his passions, and he hoped to make a living at them. Unfortunately, at this early stage in his career, Cohen realized these passions couldn’t support him. Most people at this point would, with a heavy heart and great disappointment, turn to a more mundane and practical way to make a living. Not Leonard. He decided to earn his way with another one of his loves: Country Music. Along the way, Cohen had taught himself to play the acoustic guitar.

It should be noted that most successful singer-songwriters begin to hone their musical talents from the ages of somewhere between five and twelve. Again, not Leonard. It should also be noted that the decade-long eruption of folk music from the early sixties to the early seventies had passed Cohen by, largely unnoticed. In other words, Cohen’s chances of a successful music career were less than his chances in the literary arts. People laughed at his hubris.

Now, here’s the interesting part. I will refer to my experiences with my father to illustrate the point I’m going to make. My father was a very successful businessman. I once asked him, “What is the secret of your success?” In his typical manner, he gave me a short answer: “In my early thirties,” he said, “I found out that I had the goods.” Translated, that means my dad discovered that he had the talent in spades to build companies and make money.

Okay, let’s go back to Leonard Cohen. On his way to Nashville, Cohen stopped in New York. There, someone introduced him to Judy Collins. What are the odds of a no-name like Leonard Cohen meeting a rising star like Miss Collins? I’d say at least 28 million to one. Unless there is another factor at play. And here’s what I believe. Because Leonard Cohen inherently “had the goods,” he met Judy Collins, and they became good friends. Eventually, Collins brought her friend’s work to the attention of a record label. In time, Cohen became a household name and an internationally known recording artist. Leonard Cohen, whether he knew it or not, had a remarkable musical talent. He had what it took to be a star.

And what I’ve discovered is that you can’t force it. Yes, it takes hard work to hone your talent, but don’t expect to be the 1% unless you are the 1%.

At some point, one has to accept whether or not one has “the goods.” I dreamed of becoming a widely read author. It never happened, but I’ve mellowed about it. I enjoy writing my little books that are read by my little audience. I never dreamed of reaching a broad audience with my music. But that has happened. It takes an effort, and I enjoy it almost as much as writing. I guess the moral of the story is to enjoy what you do if you are following your heart, and most importantly, don’t worry about the results.

Please enjoy my covers of Leonard’s beautiful song, Suzanne.

Solo Version

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acoustic guitar Arts & Entertainment folk music inspiration music

The Incredible String Band: Cover of “Painting Box”


The Incredible String Band burst onto the folk music scene in 1966 with the release of their first album, aptly named “The Incredible String Band.” As an avid lover and consumer of folk, I had never heard anything like their songs. The band started out as a trio composed of Clive Palmer, Robin Williamson, and Mike Heron. Williamson and Heron composed most of ISB’s music. Palmer eventually dropped out, replaced by other musicians and the girlfriends of Williamson and Heron.

Signed by Electra Records, the group produced seven albums for the label, most notably their first four, which included “The Five Hundred Spirits or the Layers of the Onion” and “The Hangman’s Beautiful Daughter.”

Through intermittent tours and appearances at prestigious venues like the Albert Hall, The Incredible String Band gained worldwide fans and international recognition from their humble beginnings in Edinburgh, Scotland.

Listen to Mike Heron’s lilting, whimsical “Painting Box” to get a sense of The Incredible String Band’s multifaceted musical range. Here’s my cover.

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acoustic guitar artists Arts & Entertainment folk guitar folk music

Dylan Cover: Mr. Tambourine Man


Bob Dylan wrote and recorded the original version of “Mr. Tambourine Man,” but The Byrds’ electrified folk-rock version shot it to #1 on both the US and UK charts. The song hadn’t been released when The Byrds learned it from a demo Dylan gave to their manager, Jim Dickson.

Dylan released Tambourine Man in March 1965 on his Bringing It All Back Home album.

What is “Mr. Tambourine Man” about? On the surface, this tambourine man is a wandering musician whose music has captured Dylan under its spell. The song is considered by many to be about drug experiences, with lines like “Take me for a trip upon your magic swirling ship” and “Take me disappearin’ through the smoke rings of my mind.” Phrases like these suggest a marijuana or LSD trip. Dylan is famously close-lipped about explaining his songs, but in his 1985 Biograph compilation album, he revealed that “Mr. Tambourine Man” is not about drugs. Instead, he said the song was inspired by a backup folk musician named Bruce Langhorne, who played a large tambourine in one of Dylan’s recording sessions.

To me, the song’s poetic images are like impressionist paintings. The melody is haunting and mesmerizing. The song stands alone as a true work of art. Here’s my version.

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artists Arts & Entertainment folk music music

Dylan Cover: My Back Pages


“Ah, but I was so much older then, I’m younger than that now.”

These lyrics and the refrain popped into my head a few mornings ago. This sort of thing has been happening to me frequently these days: Long-forgotten songs resurfacing. It may be a function of the aging process, or it might be the universe talking to me. I kind of hope it’s the latter.

In the 1970s, a group called the Bryds covered a few Bob Dylan songs. They made songs like Mr. Tambourine Man and this one popular. The Bryds’ cover of Mr.Tambourine Man went to number one on the US charts, and their cover of My Back Pages went to thirty. I may have never listened to My Back Pages had it not been for The Byrds. By the way, Roger McGuinn and The Byrds are credited with starting the Folk Rock Revolution. And they inspired Bob Dylan to go electric.

In 1964, Dylan released his fourth album, “Another Side of Life.” Around this time, he began to distance himself from his earlier songs. He claimed his earlier work was not about politics. Instead, it was about universal themes and not individual political issues. In “My Back Pages,” Dylan lambasts himself for his authoritarianism and arrogance.

Moving forward, Dylan’s music focused more on individual consciousness and personal freedom. He is remembered more for his music from 1965-1970 than his earlier work.

To me, the lyrics at the top infer that we tend to think we know it all at a young age. I know that I did. As we age, we gain more wisdom and realize that we know less than we thought we did. This understanding opens us to learning more when we admit that we know little in comparison to what is out there. To be open to learning without imposing pre-existing ideas is to become more pliable and, therefore, young.

Here’s my cover of this powerful song.

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Arts & Entertainment Interviews music reflections

Love Found And Lost


“Sky Blue and Black” by Jackson Browne is an emotional roller coaster, looking back on the joys and sorrows of love and its lasting impact. Browne wrote the song over a four-year period and released it on his album “I’m Alive” in 1992. The source material comes from Jackson’s relationship with a famous actress. However, Browne never wants his songs to be identified with his specific life events, so he rarely speaks about his real-life relationships, especially in context with his music.

“It’s a drag to even imagine that people are thinking about [the] relationship instead of their own lives,” Jackson told the Los Angeles Times. “I think if a song is any good, eventually it’ll turn out to be about the life of the listener and not about the life of the writer. Anyway, that’s my hope.”

Here’s my cover of “Sky Blue and Black”.

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artists Arts & Entertainment folk guitar music

Simple, Honest, Transparent, Beautiful


In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.

The song is replete with images. I particularly like the image conjured in the second verse illustrated below:

“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”

Here’s my cover of “September Song.”

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acoustic guitar artists Arts & Entertainment music

Jefferson Airplane: Comin’ Back to Me


Jefferson Airplane was one of the premiere psychedelic rock bands of the nineteen-sixties. The Airplane epitomized the subversive love and drug culture that emerged from psycho-active drugs like LSD, Marijuana, Mescaline, and Peyote. The band came to prominence in San Francisco in 1965. The original group of six, featuring lead singer Grace Slick, had a seven-year run. Later incarnations of the group lasted until 1990, but the original group spawned the songs that mattered. “Comin’ Back to Me” is one of those hits. The piece appeared on the band’s second album, Surrealistic Pillow.

The story behind “Comin’ Back to Me” goes like this. While sharing a joint of righteous Marijuana with blues guitarist and harpist Paul Butterfield, Marty Balin wrote the song in five minutes. “It just popped out,” Balin said in an interview. He immediately went to the studio to record the song with any available musicians there. Jerry Garcia happened to be one of them.

In addition to being one of the Airplane’s greatest hits, the song was covered by major recording artists like Richie Havens, and versions of it appear as background music in several Hollywood feature films.

Here’s my cover of the song.

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Arts & Entertainment music relationships

“Fields of Gold”


Guitar,Solo,Sting,Song,Love,Ballade,Relationship,Commitment, Eva,Cassidy, Fields of Gold,

“Fields of Gold” is one of Sting’s most famous songs. It is a stunning and thoughtful track about the journey of commitment. The song first appeared on Sting’s 1993 solo album “Ten Summoner’s Tales.”

Sting wrote the track after he bought a house near a barley field. The sunsets and the colors of the field helped inspire the lyrics, along with Sting’s love for Trudie Styler, who he married in 1992.

“Fields of Gold” can be seen as a fulfilling romance from beginning to end. It is about courtship, marriage, and finally, death.

The romance of the couple in the song is so strong that even the sky and “its jealous sun” are envious of the relationship.

Before the male narrator dies, he tells his lover that she will never forget him and the time they shared. They will always walk and lie together in golden fields of sun drenched barley.

Here is my version of the song played with Eva Cassidy‘s guitar technique.

Loving Couple Laying Down After A Picnic In An Open Field

“The heart is always the place to go. Go home into your heart, where there is warmth, appreciation, gratitude and contentment.”

AYYA KHEMA

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Love In An Open Field


“Lay me Down Easy” is technically a blues song. To me, the song sounds upbeat with a whisper of the blues in the background. And there’s definitely an element of wry humor in the mix. Maybe “bitter sweet” is a better description of “Lay Me Down Easy.”

I’ve been playing many of Kate Wolf’s songs lately. The beauty of Kate’s music steals its way into my heart the more I listen to one of her songs. As illustrated by the photos, I’m feeling the joy and the love in the song more than the backdrop of the blues. Listen, and let me know how you receive it.

Loving Couple Laying Down After A Picnic In An Open Field

Photo by Vlada Karpovitch on Pexels

We must continually choose love in order to nourish our souls and drive away fear, just as we eat to nourish our bodies and drive away hunger.

ELISABETH KÜBLER-ROSS AND DAVID KESSLER

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folk guitar folk music music Videos

Looking Back On Warm Times With Friends


Kate Wolf Playing The Trumpet Vine. Folk Guitar, Pop Music, Folksinger,

“With a voice that has all the sweetness of a California morning and the loneliness of the sea beating against its rocky shores, it’s a mystery why Kate Wolf went unnoticed for so long. Listening to her songs, you never feel like you’re hearing studio recordings made many years ago. Instead, it feels like the singer’s sitting next to you, picking a guitar and telling stories near to her heart. With just a few words, Kate Wolf creates a great sense of intimacy.”*

Certain songs speak to me. Kate Wolf’s “The Trumpet Vine” is one of them. It typifies the aching beauty of her music. Here’s my cover of the song.

*Excerpt from an article written by Kasper Nijsen