Here’s my cover, produced with an incredible guy I’m working with to create unique recordings of beautiful music written by masterful artists of the past 60 years.
Tag: inspiration
Previous to this writing, I had never heard of Bryan Adams. I am in the minority because Adams has created a number of beautiful, chart-topping hits that most people besides me are familiar with. “Heaven” is another song that came into my mind from someplace I can’t define. When I heard Boyce Avenue’s stirring performance of it, I fell in love with the song immediately. On July 15, 1985, “Heaven” reached #1 on the Billboard Chart. Paradoxically, it was written for a movie that flopped.
Bryan Guy Adams was born in 1959. As a teenager, he played in bands and in local studios. In 1978, he met drummer and songwriter Jim Vallance, and together they formed a partnership that lasted for decades. Their early collaboration helped Adams strike a deal with A&M Records for a reported one dollar. His debut album was released when the folk-rock genre exploded in the early eighties. The album was good enough to earn Adams a second one with A&M. It helped establish Adams as an artist on the rise. His third album, 1983’s Cuts Like a Knife, proved to be the singer-songwriter’s breakthrough effort, including three Top 40 hits.
Later that year, while working on his fourth studio album, Reckless, Adams considered including “Heaven” on it, but initially felt it didn’t live up to the quality of the rest of the album. At the last minute, however, Adams changed his mind and added “Heaven” to the Reckless tracklist.
Reckless went on to sell 12 million copies worldwide, becoming the most successful album of Adam’s career. Here’s my cover of “Heaven.”
Despite its somewhat foreboding title and subject matter, this Nanci Griffith song is upbeat and fun to play. “I Wish It Would Rain” was released by MCA in 1988 on Nanci’s 6th album titled “Little Love Affairs.” I hope you enjoy listening to the song as much as I enjoy playing it. I’m including a video of Nanci Performing in the late 1980’s. Just look at her beautiful smile. Here’s my cover.
While searching for a video of Bruce Springsteen playing his iconic hit “Born to Run,” I stumbled upon a video of Emmylou Harris singing “Born to Run.” Now, here’s the fascinating surprise: Emmylou is singing an entirely different song written by Paul Kennerly. And this song really rocks. Released in 1982 as the second single from Harris’ album Cimarron, “Born to Run” reached number 3 on the Billboard Hot Country Singles & Tracks chart.
Emmylou Harris sings like an Angel. She is a Country Music Hall of Fame inductee. I put Emmylou into my Hall of Fame alongside other Angels by the names of Eva Cassidy, Nanci Griffith, Linda Ronstadt, and Kate Wolf.
Here’s my cover of Paul Kennerly’s “Born to Run.”
In this song, (Yusuf) Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens’ love is unattainable in the present. Yet, I believe, that the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet his perfect love, in either or both Human and Divine forms. There are many interpretations of “How Can I Tell You.” In my view, the song is hopeful rather than despairing.
However one interprets “How Can I Tell you,” I feel that the song is filled with incredible beauty that cannot help but shine through.
And thank you, Yusuf Islam (Cat Stevens), for your always beautiful, wise, and inspiring music.
Here’s my cover.
With Digital Instrumentation Enhancement
Many of Yusuf/Cat Stevens’ songs convey underlying messages about childhood and the relationships between children and adults, such as ‘Father & Son’ and ‘Oh Very Young,’ to name a few. “Where Do the Children Play?” is no exception. It becomes increasingly timely with each passing day, given the environmental crisis we are facing.
The song refers to the destruction of natural spaces caused by overdevelopment and industrialization. It asks a fundamental question: What future awaits our children when the spaces where they play are increasingly paved over and polluted?
“Where Do The Children Play” prompts us to consider the inherent features of the ‘progress’ we are making, as well as Humanity’s impact on planet Earth. Essentially, this beautiful and simple song begs for a balanced relationship between Human Beings and nature.
Typical of a Cat Stevens song, the rhythm is quite unique. Here’s my cover.
Far from old age, Cat Stevens wrote “Oh Very Young” when he was twenty-five. The wisdom in the song surpasses Stevens’ chronology with lines like, “You’re only dancin’ on this Earth for a short while.” Stevens contracted tuberculosis when he was nineteen, and it almost killed him. After that experience, Stevens kept an eye on the Big Picture.
Always the explorer, Stevens sought the meaning and purpose of life, as illustrated in his songs like “On the Road to Find Out.” He eventually converted to Islam in 1977. Around the same time, he permanently left the world stage as a singer and songwriter. In his relatively short career, Cat Stevens left us with a body of music that is still relevant today and, to millions around the world, extremely enjoyable.
Originally, I played this song using a picking method, and then I switched to strumming. I watched a video of Stevens performing the song with a strumming method. I thought, I’ll never be able to play it that fast. To my amazement, I wound up playing the song as fast as Stevens when I strummed it. Interesting. Here’s my cover.
In case you’re interested, here’s the finger-picked version.
“Pluck” is the word that comes to mind when I think of Nanci Griffith and her music. In terms of stature, Nanci can be described as diminutive, or perhaps petite is a better, if overused, description. Ironically, the essence of Nanci Griffith is anything but small. She imbued her songs with a crystal clear, powerful voice and confident stage presence. In her simple way, Griffith is remembered as a giant among country and folk singer/songwriters. With twenty-four albums released from 1978 to 2002, Griffith has left a lasting impression on an art form she once described as “folkabilly.” Nanci’s music merges the elegant folk of her early years with the folk-rock of her later years.
I’ve covered many of Nanci’s songs on this blog, including this latest, “Trouble In The Fields.” It’s a penetrating and beautiful song inspired by Griffith’s recollections of her great-grandparents’ struggles with drought and hard economic times during the 1930s. “Trouble In The Fields” is dedicated to Nanci’s great aunt and uncle, Nettie Mae and Tootie, farmers for eighty years near Lubbock, Texas.
Here’s my cover.
Tom Paxton released “The Last Thing On My Mind” in 1964 on his album, Ramblin’ Boy.” The inspiration for the song came from Dave Van Ronk and Bob Dylan’s versions of “He Was A Friend of Mine.” This lost love ballad became one of Paxton’s biggest hits. He is also known for his protest songs against the Vietnam War and other social injustices. (What Did You Learn In School Today?)
“The Last Thing On My Mind” was one of the first songs I learned some forty years ago when I started playing the guitar. This is the first time I’ve released my cover publicly. The themes of the song include friendship, loss, and the passage of time.
Here’s my cover.
John Fogerty wrote “Have You Ever Seen The Rain” about his brother, Tom Fogerty, who left Creedence Clearwater Revival in 1971 at the apex of the band’s popularity. The departure of his brother was a sad time for John.
Eventually, the hurt healed, and the meaning of the song changed. In Fogerty’s own words, “This song was originally written about a very sad thing that was going on in my life. But I refuse to be sad now. These days, this song reminds me of my little girl, Kelsy, and every time I sing it, I think about Kelsy and rainbows.
“Have You Ever Seen the Rain” is another song that emerged unexpectedly from my subconscious. The song bounced around in my head until I played it. Here’s my cover.
Heart Banter by David Gittlin 