Category: folk rock

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From Dream to Reality: Living Your Passion


Vince Gill wrote “Jenny Dreamed of Trains.” He performs it beautifully, but John Denver’s version caught my attention. The song reminds us what we can create when we hold fast to a dream and work to make it happen. Dreams call to us, despite the many distractions that come between the songs in our hearts. The ordinary necessities of life kept me from pursuing my dreams until I cleared the distractions and focused fully on bringing forth what was always in my heart. In the song, Jenny’s dream seemed impossible, but with faith and the force of her will fueled by passion, a teenage girl changed the world around her.

Nothing is impossible if we listen to and accept the dreams in our hearts. I have written and published 15 novels and created a YouTube channel with guitar and vocal song covers that has reached more than one million subscribers. You can do it, too. Have the courage to live your dreams.

The beauty and power of “Jenny Dreamed of Trains” have made me cry at times. Does the song take you back to your Childhood dreams? Where are they now? Please enjoy my covers.

Solo Version

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‘Eternal Flame’: The Story Behind The Bangles’ Iconic Song


“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don’t remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it.

“Eternal Flame” became one of The Bangles’ biggest hits, reaching #1 in nine countries, including the USA in 1989.

I still don’t know why “Eternal Flame” barged unannounced into my head, but I’m glad it did. The song is BEAUTIFUL! Here’s my cover.

Enhanced Version

Original Version

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How An 18-Year-Old Songwriter Became A Superstar


Cat Stevens wrote “The First Cut Is The Deepest” when he was eighteen. At the time, he had no intention of becoming a worldwide star performer. He sold the song for thirty pounds to P.P. Arnold, a soul singer who lived near him in London. She released “The First Cut Is The Deepest” on her first album. It reached #18 on the U.K. charts in 1967. Eventually, Rod Stewart and Sheryl Crow covered the song, making it a major hit in America.

Stevens released his version of the song on his debut album, New Masters. Because he never released “The First Cut Is the Deepest” as a single, the album went largely unnoticed.

Despite his shyness, Stevens’ songwriting and singing burst through to make him an international star in the music industry. I’m using Stevens’ version in my cover.

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“Heaven” 2.0 With Digital Backup


Here’s my cover, produced with an incredible guy I’m working with to create unique recordings of beautiful music written by masterful artists of the past 60 years.

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artist profiles Arts & Entertainment folk rock love music relationships songwriting

“Heaven”: The Story Behind The Song


Previous to this writing, I had never heard of Bryan Adams. I am in the minority because Adams has created a number of beautiful, chart-topping hits that most people besides me are familiar with. “Heaven” is another song that came into my mind from someplace I can’t define. When I heard Boyce Avenue’s stirring performance of it, I fell in love with the song immediately. On July 15, 1985, “Heaven” reached #1 on the Billboard Chart. Paradoxically, it was written for a movie that flopped.

Bryan Guy Adams was born in 1959. As a teenager, he played in bands and in local studios.  In 1978, he met drummer and songwriter Jim Vallance, and together they formed a partnership that lasted for decades.  Their early collaboration helped Adams strike a deal with A&M Records for a reported one dollar.  His debut album was released when the folk-rock genre exploded in the early eighties.  The album was good enough to earn Adams a second one with A&M. It helped establish Adams as an artist on the rise.  His third album, 1983’s Cuts Like a Knife, proved to be the singer-songwriter’s breakthrough effort, including three Top 40 hits.

Later that year, while working on his fourth studio album, Reckless, Adams considered including “Heaven” on it, but initially felt it didn’t live up to the quality of the rest of the album. At the last minute, however, Adams changed his mind and added “Heaven” to the Reckless tracklist.

Reckless went on to sell 12 million copies worldwide, becoming the most successful album of Adam’s career. Here’s my cover of “Heaven.”