Many of Yusuf/Cat Stevens’ songs convey underlying messages about childhood and the relationships between children and adults, such as ‘Father & Son’ and ‘Oh Very Young,’ to name a few. “Where Do the Children Play?” is no exception. It becomes increasingly timely with each passing day, given the environmental crisis we are facing.
The song refers to the destruction of natural spaces caused by overdevelopment and industrialization. It asks a fundamental question: What future awaits our children when the spaces where they play are increasingly paved over and polluted?
“Where Do The Children Play” prompts us to consider the inherent features of the ‘progress’ we are making, as well as Humanity’s impact on planet Earth. Essentially, this beautiful and simple song begs for a balanced relationship between Human Beings and nature.
Typical of a Cat Stevens song, the rhythm is quite unique. Here’s my cover.
Far from old age, Cat Stevens wrote “Oh Very Young” when he was twenty-five. The wisdom in the song surpasses Stevens’ chronology with lines like, “You’re only dancin’ on this Earth for a short while.” Stevens contracted tuberculosis when he was nineteen, and it almost killed him. After that experience, Stevens kept an eye on the Big Picture.
Always the explorer, Stevens sought the meaning and purpose of life, as illustrated in his songs like “On the Road to Find Out.” He eventually converted to Islam in 1977. Around the same time, he permanently left the world stage as a singer and songwriter. In his relatively short career, Cat Stevens left us with a body of music that is still relevant today and, to millions around the world, extremely enjoyable.
Originally, I played this song using a picking method, and then I switched to strumming. I watched a video of Stevens performing the song with a strumming method. I thought, I’ll never be able to play it that fast. To my amazement, I wound up playing the song as fast as Stevens when I strummed it. Interesting. Here’s my cover.
In case you’re interested, here’s the finger-picked version.
“Pluck” is the word that comes to mind when I think of Nanci Griffith and her music. In terms of stature, Nanci can be described as diminutive, or perhaps petite is a better, if overused, description. Ironically, the essence of Nanci Griffith is anything but small. She imbued her songs with a crystal clear, powerful voice and confident stage presence. In her simple way, Griffith is remembered as a giant among country and folk singer/songwriters. With twenty-four albums released from 1978 to 2002, Griffith has left a lasting impression on an art form she once described as “folkabilly.” Nanci’s music merges the elegant folk of her early years with the folk-rock of her later years.
I’ve covered many of Nanci’s songs on this blog, including this latest, “Trouble In The Fields.” It’s a penetrating and beautiful song inspired by Griffith’s recollections of her great-grandparents’ struggles with drought and hard economic times during the 1930s. “Trouble In The Fields” is dedicated to Nanci’s great aunt and uncle, Nettie Mae and Tootie, farmers for eighty years near Lubbock, Texas.
Tom Paxton released “The Last Thing On My Mind” in 1964 on his album, Ramblin’ Boy.” The inspiration for the song came from Dave Van Ronk and Bob Dylan’s versions of “He Was A Friend of Mine.” This lost love ballad became one of Paxton’s biggest hits. He is also known for his protest songs against the Vietnam War and other social injustices. (What Did You Learn In School Today?)
“The Last Thing On My Mind” was one of the first songs I learned some forty years ago when I started playing the guitar. This is the first time I’ve released my cover publicly. The themes of the song include friendship, loss, and the passage of time.
John Fogerty wrote “Have You Ever Seen The Rain” about his brother, Tom Fogerty, who left Creedence Clearwater Revival in 1971 at the apex of the band’s popularity. The departure of his brother was a sad time for John.
Eventually, the hurt healed, and the meaning of the song changed. In Fogerty’s own words, “This song was originally written about a very sad thing that was going on in my life. But I refuse to be sad now. These days, this song reminds me of my little girl, Kelsy, and every time I sing it, I think about Kelsy and rainbows.
“Have You Ever Seen the Rain” is another song that emerged unexpectedly from my subconscious. The song bounced around in my head until I played it. Here’s my cover.
“Girl From The North Country” is another one of those songs that popped into my head from out of nowhere. I can’t decide if it’s a message from the Beyond or just a little piece of my subconscious rising like a sunspot from the deep layers of my skin with aging. Whatever the case, “Girl From The North Country” is one of Dylan’s earliest recorded songs, written in England in 1961 and released in 1963. Listening to it now, I find the ballad enchanting.
As a young adult, I followed Dylan’s work tangentially only because it was prominent in the mainstream. Lately, I’ve developed a deep appreciation for Dylan’s music and the man himself. I’ve covered several Dylan songs in this blog, including “Mr. Tambourine Man,”“My Back Pages,” and now this one.
“Girl From The North Country” is a beautiful ballad recounting a lost love. Many believe the woman in the song is Suze Rotolo. At the time, Dylan had just dropped out of college to pursue his musical career in New York City. Rotolo had just graduated from high school and entered the Greenwich Village folk scene. Their first meeting took place at the First Riverside Church concert in New York City. Dylan described the meeting in his memoir: “Cupid’s arrow had whistled past my ears before, but this time it hit me in the heart, and the weight of it dragged me overboard.”
Eventually, the couple lived together in Greenwich Village and then grew apart when Dylan went to England, and Rotolo went to Italy to continue her education.
After some time passed, Dylan went to Italy to find Retolo. At the same time, Rotolo returned to New York City. The couple finally reunited and lived in Dylan’s apartment until their final breakup.
The album cover of Dylan’s second album, Freewheeling, features Dylan and Rotolo walking arm in arm down a Greenwich Village street.
Nanci Griffith introduced her third album with its title song, “Once in a Very Blue Moon,” on the Austin City Limits TV show in 1984. She sang to a live audience with her typically bold and beautiful voice, which continues to endear this singer/songwriter to millions of people around the world after her passing.
This poignant song could easily sound sad, but not the way Nanci performs it. With her crystal-clear voice, it actually sounds uplifting. A quality comes through Griffith’s songs. It sounds to me like “nothing will ever get me down.” I’m sure Ms. Griffith endured many hardships and obstacles in her life, but she always came out on top. I dedicate my cover to the memory of this inspiring woman.
Most of the lyrics in “Danny’s Song” were inspired by a letter Kenny Loggins’ brother, Dan, wrote to him in 1968 after Dan’s son, Colin, was born. In the letter, Dan said he planned to marry the boy’s mom, Sheila, and they planned to move to Berkley, California, even though they had no money.
Kenny Loggins wrote the song in 1970 and released it as a single. It went nowhere. Later that year, Kenny teamed up with Jim Messina and released the song on their first album, “Sittin’ In.” Again the song went nowhere. If nothing else, “Danny’s Song” showcased Loggins’ talent for capturing a feeling for a moment in time.
It was not until Anne Murray covered the song and released it as a single in 1973 that it became a hit, reaching #1 in Canada and #7 on the charts in America. The song’s success put Loggins and Messina on the map.
Kate Wolf’s music conveys Love, Beauty, and a full range of human emotions. “See Here She Says” is a remarkable song because it speaks to children and adults alike with a reminder that the dreams of the Heart are one of the most valuable commodities we own.
“The time that’s left is yours to keep” is a phrase at the end of the chorus of Kate’s song “See Here She Says.” The phrase impacts me powerfully because it is sweet advice to use our time wisely. This is especially true for children, but it is also important for people of all ages to keep in mind.
Each moment that is given to us is precious. Why waste it on foolish pursuits that bear no useful results? Yes, recreation, relaxation, and pleasure are important too, but they are best employed as a balance for the attainment of meaningful goals. And if the motivation to achieve these goals comes from the heart, then the process of manifesting them will surely, for the most part, be enjoyable.
In a truncated life of only forty-four years, Kate Wolf embodied the words of this song. She used her time to create over two hundred songs, performing mostly at venues in her native state of California. Kate’s work has warmed and gladdened the hearts of millions of people around the world. Here’s my cover of “See Here She Said.”
Cat Stevens wrote and recorded quite a few hits at the Zenith of his career in the 1960s and 1970s. Stevens is an exceptionally talented artist. His songs began to climb the charts in his native England when he was only eighteen. There is a recurring theme in Stevens’ work about leaving home to go out into the world. In Stevens’ words:
“Wild World has to do with leaving, the sadness of leaving, and the anticipation of what lies beyond. There is a criticism sometimes of my music that it’s kind of naïve, but then again, that’s exactly why people like it. It goes back to the pure childish approach of seeing things almost for the first time.”
I’ve covered several of Stevens’ songs on this blog, including “On the Road to Find Out,”“Fill My Eyes,” and “The Wind.” I’m a huge fan. Stevens’ songs still inspire me some sixty years after their release. Here’s my cover of another popular CS song: “Wild World.”