Category: acoustic guitar

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The Beatles: We Can Work It Out


Back in the days when recording artists released singles, “We Can Work It Out” made its debut in 1965. The Beatle’s manager, Brian Epstein, felt that the other song on the record, “Day Tripper,” was more commercial and so, should be the lead song. Typically, the lead song of a single is recorded on the top side (A side) and the other song (B side) goes beneath it. Since both songs became hits, the record turned out to be the first double “A” single ever recorded.

John Lennon and Paul McCartney wrote the song with Paul writing the optimistic verses and John writing the more pessimistic chorus, in this case, the bridge.

The song sprang from a disagreement Paul had with his then-girlfriend, actress Jane Asher. Jane and her mother, Margaret, had a powerful impact on Paul’s life. The couple stayed together for five years from 1963 to 1968.

Here’s my cover.

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A Story In Song


Cat Stevens’ song “The Boy With A Moon And Star On His Head” is a poetic and mystical tale that expresses themes of love, destiny, and the unknown and unexpected. 

The song’s lyrics are replete with metaphors and symbolism, for example, the “holy magnolia” and “naked earth,” which elicit a sense of purity and connection to the universe. Cat Stevens, known for his introspective and spiritual songwriting, uses this narrative to convey a deeper message about the power of love and the unpredictable ways in which destiny unfolds. It is a beautiful story in song, rendered in Stevens’ unique style. Here’s my cover.

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acoustic guitar artists Arts & Entertainment folk guitar folk music profiles

John Prine Encore: Day Is Done


“Day Is Done” is a simple song about a clandestine relationship. Since very little has been written about the song, it is difficult to pinpoint its exact meaning. It could be about two married adults having an illicit affair. The lyrics and tone, however, indicate a relationship between two adolescents forbidden by parents or society.

The drawings on the album cover of “Lost Dogs and Mixed Blessings,” where the song is one of the tracks, tend to support the theory of a prohibited young love.

In “Day is Done,” Prine has written a charming little song with universal implications. Many of his songs deal with the intricacies of human relationships and are laced with Prine’s subtle sense of humor. Lost Dogs and Mixed Blessings was John’s fourteenth album. Released in 1995, it is another example of the artist’s exploration of the human condition.

From humble beginnings, John Prine came a long way in his fifty-year career. He won Grammy Awards and was posthumously inducted into the Country and Folk Music Hall of Fame. What struck me, however, is this early recollection of his career. It is taken directly from Prine’s official website:

“Prine still remembers the first three songs he performed on any stage: Sam Stone, Hello in There, and Paradise. With humility, he recalls, “I sang those three songs and people just sat there and looked at me. I thought, ‘Wow, those are really bad.’ They wouldn’t even applaud.”

Things changed dramatically when a young journalist named Roger Ebert dropped into a Chicago folk club for a beer while John was on stage. Ebert wrote a glowing review of Prine’s performance in the Chicago Sun-Times which essentially launched John’s career.

Here’s my cover of “Day Is Done.”

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acoustic guitar artists Arts & Entertainment folk guitar folk music

Dylan Cover: Mr. Tambourine Man


Bob Dylan wrote and recorded the original version of “Mr. Tambourine Man,” but The Byrds’ electrified folk-rock version shot it to #1 on both the US and UK charts. The song hadn’t been released when The Byrds learned it from a demo Dylan gave to their manager, Jim Dickson.

Dylan released Tambourine Man in March 1965 on his Bringing It All Back Home album.

What is “Mr. Tambourine Man” about? On the surface, this tambourine man is a wandering musician whose music has captured Dylan under its spell. The song is considered by many to be about drug experiences, with lines like “Take me for a trip upon your magic swirling ship” and “Take me disappearin’ through the smoke rings of my mind.” Phrases like these suggest a marijuana or LSD trip. Dylan is famously close-lipped about explaining his songs, but in his 1985 Biograph compilation album, he revealed that “Mr. Tambourine Man” is not about drugs. Instead, he said the song was inspired by a backup folk musician named Bruce Langhorne, who played a large tambourine in one of Dylan’s recording sessions.

To me, the song’s poetic images are like impressionist paintings. The melody is haunting and mesmerizing. The song stands alone as a true work of art. Here’s my version.

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Cat Stevens: Wild World


Cat Stevens wrote and recorded quite a few hits at the Zenith of his career in the 1960s and 1970s. Stevens is an exceptionally talented artist. His songs began to climb the charts in his native England when he was only eighteen. There is a recurring theme in Stevens’ work about leaving home to go out into the world. In Stevens’ words:

“Wild World has to do with leaving, the sadness of leaving, and the anticipation of what lies beyond. There is a criticism sometimes of my music that it’s kind of naïve, but then again, that’s exactly why people like it. It goes back to the pure childish approach of seeing things almost for the first time.”

I’ve covered several of Stevens’ songs on this blog, including “On the Road to Find Out,” “Fill My Eyes,” and “The Wind.” I’m a huge fan. Stevens’ songs still inspire me some sixty years after their release. Here’s my cover of another popular CS song: “Wild World.”

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acoustic guitar Arts & Entertainment folk music music

Back On The Street Again


Steve Gillette released his first album in 1967 titled simply “Steve Gillette.” Top-heavy with folk ballads and original songs, I thought the album was a strong debut. Gillette had already established himself as a noteworthy songwriter when Ian and Sylvia, a top Canadian folk duo, included “Darcy Farrow,” a song Gillette co-wrote, on their 1966 album “Early Morning Rain.”

I still own Gillette’s debut album and listen to it occasionally. Despite all of this fanfare, Steve Gillette never became a household name. Some say Gillette’s obscure status is the result of his emergence towards the end of the folk music boom. I don’t buy the idea. For reasons unknown, some people never make it to stardom, no matter how much they want it. Gillette wanted it, but his music failed to resonate with audiences broadly enough to make him a bonafide star. He made several more albums and eventually married Cindy Magnuson. To this day, the duo continues to tour relentlessly and make a modest living with their music.

There are those who did make it big in the sixties, like two of my folk/pop favorites: Jackson Browne and Gordon Lightfoot. Still, Gillette has left us with a number of original and memorable songs. “Back On The Street Again” is one of them. Here’s my cover.

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Meant to Be


After Steven Digman wrote “Anniversary Song,” he took it to Chris Biondo’s studio in Rockville, Maryland, to record it. At the time, Biondo was looking for material for Eva Cassidy to record. After Chris heard the song, he insisted on recording it with Eva. Digman had another singer in mind, but Biondo wouldn’t give up. After hearing Eva sing “Anniversary Song” on the phone, Digman agreed to let Cassidy record it. The rest, as they say, is history.

This is another song that popped into my head unexpectedly. At first, I decided not to blog about it. But the melody, like Chris Biondo, wouldn’t give up. I guess someone is trying to tell me something. Here’s my cover.

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The Bangles: Eternal Flame


“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don’t remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it.

I still don’t know why “Eternal Flame” barged unannounced into my head, but I’m glad it did. The song is BEAUTIFUL! Here’s my cover.

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Covering Gordon Lightfoot’s ‘I’ll Be Alright’


Here’s another Gordon Lightfoot tune that may not be as recognizable as many of the other songs of his that I’ve covered here. Somehow, “I’ll be Alright” crept into my consciousness and I’m happy to offer my cover of the song in this post. To me, the song is as lovely and memorable as many of Lightfoot’s hits including: “If You Could Read My Mind,” “Early Morning Rain,” and “Song For A Winter’s Night.”

Please enjoy this remembrance of the one and only Gordon Lightfoot.

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On The Road To Find Out


In this life, change is constant. This is not news to most of us. However, some things never change. A good example is the music of the artist profiled in this post. In 1977, after years of contemplation and a near-death experience with tuberculosis, Cat Stevens converted to Islam and radically changed his lifestyle. He is now known as Jusuf Islam, but the beauty and truth of his music haven’t changed. Jusuf’s songs have endured and are still relevant almost fifty years after they were released. His unique guitar style and vocalizations have remained bright, new, and refreshing through the intervening decades.

“On The Road To Find Out” is a song about a young man who sets out on a journey to clear his mind and see what he can discover. The song parallels Stevens’ life experiences. After a seven-month recovery from tuberculosis, Stevens felt a deep emptiness in his life and a yearning for something more. Out of these ashes, “On the Road to Find Out” was born. The lyrics are not about traveling in a physical sense. They are about Stevens discovering who he was and the purpose, if any, of his existence. Stevens achieved fame and fortune in 1967 at the age of only eighteen when his first three singles hit the charts in his native England. Like many of his recording artist peers, Stevens examined his noteworthy accomplishments and found they had not brought him the peace of mind or happiness he envisioned.

Many of Stevens’ songs reflect his quest for existential answers and a deep sense of fulfillment. I can only hope he found it.

Here’s my cover of this song’s rich lyrics and beautiful melody.