I’ve written three feature length screenplays, produced two short films, and published three novels. Before quitting my day job, I spent more than thirty years as a marketing director building expertise in advertising, copy writing, corporate communications, collateral sales materials, website content/design and online marketing.
For more information about my novels, please visit www.davidgittlin.com
Is Marc Cohn a one-hit wonder? The answer, in a word, is “yes.” That being said, Walking in Memphis is a noteworthy accomplishment for a man who has spent most of his career steadfastly under the radar.
To his credit, Marc won a Golden Globe Award in 1991 for Best New Artist. Now, well into his fifties, Cohn is still touring with an ambitious schedule ahead in 2023.
Working on this song made me wonder: What made Elvis Presley so popular? In case you may be wondering too, here’s an article that helps to explain it.
If in our daily life, we can smile; if we can be peaceful and happy, not only we, but everyone will profit from it. This is the most basic kind of peace work.
Jackson Browne’s music is lyrical and penetrating. He is a poet as well as a prolific songwriter, musician, and vocalist. I became a long-time fan upon hearing his hit song, “These Days.” The song appears in the inspirational film “Invincible,” a story about an average guy who eventually realized his dream of playing in the NFL for the Philadelphia Eagles.
Most of Browne’s music is bitter-sweet. “My Opening Farewell” is a fine example. The melody, lyrics, and guitar technique are evocative. The song is played in an open D tuning which Browne uses brilliantly to paint pictures, emotions, and moods. I feel it is sad/beautiful, like the woman described in the song. It’s about one of Browne’s early love relationships that lasted a few years.
In an interview, Browne had this to say about the relationship and the meaning of My Opening Farewell:
“Elektra [Records] had this recording ranch up in northern California and we stayed at this hotel. And a train ran by it. So: ‘there’s a train every day, leaving either way,’ and the whole idea [being] that you could go one way or the other. And this relationship was struggling. The song is about the particular moment when you recognize that the person you love wants to be anywhere else. Wants to be gone; wants to move on.”
Here’s my cover.
Played with Martin D-35 Guitar
Played with Martin D-45 Guitar
*Both tracks have minor flubs. Can’t get through this piece without them.
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The Silver Sphere Trilogy is updated and thoroughly edited for your reading pleasure. Read and enjoy the entire story in one book. A two-chapter introduction to “Time Terminus—Expect the Unexpected” is included as a bonus.
The story begins with mystery writer Jacob Casell strolling on a moonlit beach contemplating the ending of his over-due manuscript. When Jacob stumbles across a shiny silver sphere, the artificial intelligence inside speaks to him telepathically. Jacob’s startling discovery is only the beginning of a real-life adventure that goes beyond anything his creative imagination has ever conceived. An apocalyptic event is hurtling toward the Earth at the speed of light, and there is no time to waste. The odds of surviving the catastrophe are shrinking by the second.
“Song for a Winter’s Night” is one of Gordon Lightfoot’s earliest love songs. It is also one of his biggest hits.
As folk music became commercially viable in the late sixties, clubs blossomed featuring promising folk musicians. Gordon Lightfoot landed a job in one of them in downtown Toronto. He stood apart from the crowd because he performed many of his own songs in a characteristically pure voice. After he developed a following, a club owner invited Lightfoot to perform at his club across the street at twice the salary. Lightfoot gratefully accepted the invitation to perform at the Riverboat, Toronto’s premier folk music club.
With his beautiful voice and prolific outpouring of quality music, it was only a matter of time before Warner/Reprise records rewarded Lightfoot with a one million dollar recording contract, an unheard-of number for a Canadian singer.
Lightfoot recorded “Song for a Winter’s Night in 1967 on his album, “The Way I feel.” Many recording artists covered it, including Sarah McLachlan in the soundtrack for the film “Miracle on 34th Street.”
Gordon wrote the song on a hot summer night while performing in Cleveland. He missed his wife at the time, Brita Ingegerd Olaisson, and his thoughts turned to winter. Here’s my cover.
In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.
The song is replete with images. I particularly like the image conjured in the second verse illustrated below:
“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”
Cat Stevens rose to prominence as a folk and pop artist in the 1970’s. I’ve always enjoyed the thread of childlike innocence and spontaneity that runs through his music. After a near-death experience, Stevens began a serious search for a deeper meaning in life. In 1977, he left his rock and roll lifestyle and converted to Islam adopting the name Yusuf Islam.
Stevens wrote “The Wind” five years before his conversion. The song has always been one of my favorites. It’s a simple song that speaks volumes. In a 2022 Rolling Stone interview, Stevens (Yusuf) shared these thoughts about The Wind:
“I’m talking to somebody; I think it’s the divine, but I’m not quite sure, and because I’m not sure, it’s universal. My goal was to be able to detach myself from my physical surroundings and material things. I was very earnestly searching. I would visit esoteric bookshops whenever I could, and pick up whatever new pathway to the truth I could find.”
Here’s my cover of the song played in Yusuf Islam’s unique guitar style.
Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.
A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.
Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.
The Silver Sphere Trilogy is updated and thoroughly edited for your reading pleasure. Read and enjoy the entire story in one book. A two-chapter introduction to “Time Terminus—Expect the Unexpected” is included as a bonus.
The story begins with mystery writer Jacob Casell strolling on a moonlit beach contemplating the ending of his over-due manuscript. When Jacob stumbles across a shiny silver sphere, the artificial intelligence inside speaks to him telepathically. Jacob’s startling discovery is only the beginning of a real-life adventure that goes beyond anything his creative imagination has ever conceived. An apocalyptic event is hurtling toward the Earth at the speed of light, and there is no time to waste. The odds of surviving the catastrophe are shrinking by the second.
“The Silver Sphere: It’s Coming–No Time to Waste” is the first book in the series. The story continues in book 2: “Cataclysm: End of Worlds” and concludes in book 3: “Promise of the Visitor.”
“A delightful romp with spaceships, suspense, and assorted aliens.”
Heart Banter by David Gittlin 