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artists Arts & Entertainment inspiration music

Hard Headed Woman


If you’ve been following this blog, then you know I’m a huge fan of Cat Stevens. He produced some of the most iconic and unique music of the 1960s and ’70s. Shortly thereafter, Stevens’ sincere spiritual search led to his conversion to Islam, a surprise to many, including myself. For several decades after his transformation, Stevens, now known as Jusuf Islam, remained musically inert.

During his most productive years, Stevens gave over his immense musical talent to the study and preaching of Islam. Although Stevens says, in his own words, “I’m only trying to help,” I can’t help thinking that the world lost out on a treasure trove of inspiring, educational, and entertaining music

To be fair, I guess I’m just expressing my sour grapes. Everyone has the right to do whatever he or she wants with their life. Stevens believes his conversion to Islam “was meant to be.” It may very well be because Stevens has done a lot for the Arabic world. And he has stayed with his persuasion for almost fifty years. Kudos to Cat…er…Yusuf.

“Hard Headed Woman” celebrates an empowering and life-affirming love. The artist envisions an enriching and fulfilling relationship in which each partner contributes to the other’s growth and happiness. The song reminds us of the importance of finding someone who complements and strengthens us rather than a companion who fits a pre-determined, superficial mold.

Here’s my cover.

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Arts & Entertainment folk music humor music

All The Best


This John Prine song has been lauded as, “One of the best breakup songs ever written.” Here’s my cover of Prine’s “All The Best.”

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artists Arts & Entertainment folk music humor music

John Prine: I Remember Everything


John Prine began his professional career as a mailman in Illinois. He went on to become one of America’s most beloved singers and songwriters. If you are a fan of Folk and Country Music, then you know John Prine. His music was a blend of humorous lyrics about love, life, current events, and songs recounting melancholy tales from his life. Prine was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020 from complications of COVID-19.

“I Remember Everything” was the last song John wrote. Published posthumously, it’s a simple yet moving song looking back on a life well-lived.

Prine may have had a premonition that his life was coming to an end. If that is the case, then “I Remember Everything” is John’s epitaph, which he characteristically wrote himself. Here’s my cover.

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artists Arts & Entertainment folk music music

Dylan Cover: My Back Pages


“Ah, but I was so much older then, I’m younger than that now.”

These lyrics and the refrain popped into my head a few mornings ago. This sort of thing has been happening to me frequently these days: Long-forgotten songs resurfacing. It may be a function of the aging process, or it might be the universe talking to me. I kind of hope it’s the latter.

In the 1970s, a group called the Bryds covered a few Bob Dylan songs. They made songs like Mr. Tambourine Man and this one popular. The Bryds’ cover of Mr.Tambourine Man went to number one on the US charts, and their cover of My Back Pages went to thirty. I may have never listened to My Back Pages had it not been for The Byrds. By the way, Roger McGuinn and The Byrds are credited with starting the Folk Rock Revolution. And they inspired Bob Dylan to go electric.

In 1964, Dylan released his fourth album, “Another Side of Life.” Around this time, he began to distance himself from his earlier songs. He claimed his earlier work was not about politics. Instead, it was about universal themes and not individual political issues. In “My Back Pages,” Dylan lambasts himself for his authoritarianism and arrogance.

Moving forward, Dylan’s music focused more on individual consciousness and personal freedom. He is remembered more for his music from 1965-1970 than his earlier work.

To me, the lyrics at the top infer that we tend to think we know it all at a young age. I know that I did. As we age, we gain more wisdom and realize that we know less than we thought we did. This understanding opens us to learning more when we admit that we know little in comparison to what is out there. To be open to learning without imposing pre-existing ideas is to become more pliable and, therefore, young.

Here’s my cover of this powerful song.

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acoustic guitar Arts & Entertainment folk music music

Cat Stevens: Wild World


Cat Stevens wrote and recorded quite a few hits at the Zenith of his career in the 1960s and 1970s. Stevens is an exceptionally talented artist. His songs began to climb the charts in his native England when he was only eighteen. There is a recurring theme in Stevens’ work about leaving home to go out into the world. In Stevens’ words:

“Wild World has to do with leaving, the sadness of leaving, and the anticipation of what lies beyond. There is a criticism sometimes of my music that it’s kind of naïve, but then again, that’s exactly why people like it. It goes back to the pure childish approach of seeing things almost for the first time.”

I’ve covered several of Stevens’ songs on this blog, including “On the Road to Find Out,” “Fill My Eyes,” and “The Wind.” I’m a huge fan. Stevens’ songs still inspire me some sixty years after their release. Here’s my cover of another popular CS song: “Wild World.”

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acoustic guitar Arts & Entertainment folk music music

Back On The Street Again


Steve Gillette released his first album in 1967 titled simply “Steve Gillette.” Top-heavy with folk ballads and original songs, I thought the album was a strong debut. Gillette had already established himself as a noteworthy songwriter when Ian and Sylvia, a top Canadian folk duo, included “Darcy Farrow,” a song Gillette co-wrote, on their 1966 album “Early Morning Rain.”

I still own Gillette’s debut album and listen to it occasionally. Despite all of this fanfare, Steve Gillette never became a household name. Some say Gillette’s obscure status is the result of his emergence towards the end of the folk music boom. I don’t buy the idea. For reasons unknown, some people never make it to stardom, no matter how much they want it. Gillette wanted it, but his music failed to resonate with audiences broadly enough to make him a bonafide star. He made several more albums and eventually married Cindy Magnuson. To this day, the duo continues to tour relentlessly and make a modest living with their music.

There are those who did make it big in the sixties, like two of my folk/pop favorites: Jackson Browne and Gordon Lightfoot. Still, Gillette has left us with a number of original and memorable songs. “Back On The Street Again” is one of them. Here’s my cover.

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artists Arts & Entertainment music profiles

Van Morrison: Brown-Eyed Girl


“Brown-eyed Girl” was originally called “Brown-Skinned Girl.” The song is about an interracial relationship. Morrison changed the name to make it more acceptable to radio stations at the time (1967). Some stations banned it anyway for the line, “Making love in the green grass.” Why some gatekeepers took issue with the line in the free-loving sixties is beyond me. I guess there is no accounting for taste.

From his roots in Northern Ireland, Van Morrison began his musical career at the age of thirteen. He played the saxophone, harmonica, and guitar in several bands until he formed his own group called “Them.”

“Brown-Eyed Girl” launched Morrison’s solo career due to the song’s overwhelming popularity. Ironically, Morrison never truly cared for the song. He considered it “too commercial.” And the psychedelic cover of Morrison’s first solo album appalled him. I think it’s safe to say Van Morrison never came anywhere near the mainstream of music and pop culture.

Most of Morrison’s work consists of rhythm and blues and occasional jazz pieces. The man may be unpredictable, but his songwriting has certainly been prolific. He has written over three hundred songs in his fifty-year career.

Commercial or not, this is a fun song to play. Here’s my cover.

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acoustic guitar artists Arts & Entertainment music

Meant to Be


After Steven Digman wrote “Anniversary Song,” he took it to Chris Biondo’s studio in Rockville, Maryland, to record it. At the time, Biondo was looking for material for Eva Cassidy to record. After Chris heard the song, he insisted on recording it with Eva. Digman had another singer in mind, but Biondo wouldn’t give up. After hearing Eva sing “Anniversary Song” on the phone, Digman agreed to let Cassidy record it. The rest, as they say, is history.

This is another song that popped into my head unexpectedly. At first, I decided not to blog about it. But the melody, like Chris Biondo, wouldn’t give up. I guess someone is trying to tell me something. Here’s my cover.

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acoustic guitar artists Arts & Entertainment music

The Bangles: Eternal Flame


“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don’t remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it.

I still don’t know why “Eternal Flame” barged unannounced into my head, but I’m glad it did. The song is BEAUTIFUL! Here’s my cover.

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artists Arts & Entertainment music songwriting

Right Here Waiting


When Richard Marx wrote “Right Here Waiting,” he never meant to publish it. He wrote the song in 2010 as a personal message to his girlfriend and actress, Cynthia Rhoads. At the time, Rhoads was in South Africa making a film. Since Skype or Google Meets didn’t exist, Marx shipped the track directly to Rhoads. Marx wrote the song in twenty minutes. His friends were so moved by it that they convinced the artist to publish it. The song went on to become one of Marx’s biggest hits.

Prior to this blog post, I had never heard of Richard Marx. I was only vaguely aware of the song. When I heard the beginning of the song on a Facebook reel, I was inspired to learn it. Now that I’ve read the backstory, I agree with Marx’s friends. “Right Here Waiting” is a truly moving and beautiful ode to long-distance love. Marx plays a piano accompaniment. I’ve composed a guitar background. Here’s my cover.