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artists Arts & Entertainment folk music humor music

John Prine: I Remember Everything


John Prine began his professional career as a mailman in Illinois. He went on to become one of America’s most beloved singers and songwriters. If you are a fan of Folk and Country Music, then you know John Prine. His music was a blend of humorous lyrics about love, life, current events, and songs recounting melancholy tales from his life. Prine was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020 from complications of COVID-19.

“I Remember Everything” was the last song John wrote. Published posthumously, it’s a simple yet moving song looking back on a life well-lived.

Prine may have had a premonition that his life was coming to an end. If that is the case, then “I Remember Everything” is John’s epitaph, which he characteristically wrote himself. Here’s my cover.

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acoustic guitar artists Arts & Entertainment music

Meant to Be


After Steven Digman wrote “Anniversary Song,” he took it to Chris Biondo’s studio in Rockville, Maryland, to record it. At the time, Biondo was looking for material for Eva Cassidy to record. After Chris heard the song, he insisted on recording it with Eva. Digman had another singer in mind, but Biondo wouldn’t give up. After hearing Eva sing “Anniversary Song” on the phone, Digman agreed to let Cassidy record it. The rest, as they say, is history.

This is another song that popped into my head unexpectedly. At first, I decided not to blog about it. But the melody, like Chris Biondo, wouldn’t give up. I guess someone is trying to tell me something. Here’s my cover.

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Arts & Entertainment Interviews music reflections

Love Found And Lost


“Sky Blue and Black” by Jackson Browne is an emotional roller coaster, looking back on the joys and sorrows of love and its lasting impact. Browne wrote the song over a four-year period and released it on his album “I’m Alive” in 1992. The source material comes from Jackson’s relationship with a famous actress. However, Browne never wants his songs to be identified with his specific life events, so he rarely speaks about his real-life relationships, especially in context with his music.

“It’s a drag to even imagine that people are thinking about [the] relationship instead of their own lives,” Jackson told the Los Angeles Times. “I think if a song is any good, eventually it’ll turn out to be about the life of the listener and not about the life of the writer. Anyway, that’s my hope.”

Here’s my cover of “Sky Blue and Black”.

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Arts & Entertainment folk guitar folk music music

The Beauty of the Bells


Have you heard of Steve Gillette? If you were alive in the 1960s and liked folk music, there’s a chance the name rings a bell. Gillette never reached the top of the charts, but he’s a very talented singer/songwriter. Many of his songs have been performed by artists you have heard of, including John Denver, Gordon Lightfoot, Ian and Sylvia, Nanci Griffith, and Linda Ronstadt.

The Bells in the Evening appears on Gillette’s debut album released in 1967. The album, simply titled “Steve Gillette,” stands as one of Steve’s finest recordings. “The Bells” is a bittersweet (actually sweet bitter) song of love blossoming in the spring and fading away in the fall. It’s a song full of immense joy and sorrow that combine in a mixture of incredible beauty. The song is also replete with imagery. When you listen, what images come to your mind?

I’ve revisited “The Bells of the Evening” adding some embellishments and the sound of my new guitar. Here’s my cover.

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artists Arts & Entertainment folk guitar music

Simple, Honest, Transparent, Beautiful


In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.

The song is replete with images. I particularly like the image conjured in the second verse illustrated below:

“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”

Here’s my cover of “September Song.”

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artists Arts & Entertainment folk guitar music

A Transcendent Voice


Photo by Nick Fang

Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.

A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.

Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.

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acoustic guitar artists Arts & Entertainment folk music music

Across the Barrier of Time


I’ve always wanted to learn Kate Wolf’s guitar-picking style. Granted, she plays every song she’s written differently, but I just wanted a glimpse. Since Kate has mostly been an under-the-radar, brilliant singer/songwriter, no one has taken the time to create an accurate tutorial of her guitar method. That is until now. My go-to-teacher, Jerry Lamberth, best known for his unequaled guitar tutorial site (Jerry’s Guitar Bar) has finally posted the first of what I hope will be many lessons of Kate Wolf’s songs.

I’ve recorded Kate Wolf’s remarkable story and several of her songs on previous blogs. To learn more about this courageous and uniquely talented person, go to: “An Unfinished Life” “Gentle Love” “Feeling the Heart” and “Through Her Music”.

We lost Kate almost forty years ago to Leukemia, but her music has endured across the barrier of time. Coincidentally, the song is about memories of times past.

Not surprisingly, “Across the Great Divide” is one of Wolf’s most popular songs. Without Jerry’s help, I would never have figured out how to play the song Kate’s way. She uses a simple and at the same time complex alternating base method the likes of which I’ve never seen.

Kate wrote “Across The Great Divide” specifically for Robbie Osman’s folk-oriented show of the same name on KPFA radio, San Francisco. Robbie and Kate were friends who shared similar experiences.

This exercise might be a case of “careful what you wish for.” I busted my ass and fingers to learn this. Here’s my cover of the song.

If you love life with abandon, everything you want will come to you quickly and freely.

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acoustic guitar artists Arts & Entertainment music

Jefferson Airplane: Comin’ Back to Me


Jefferson Airplane was one of the premiere psychedelic rock bands of the nineteen-sixties. The Airplane epitomized the subversive love and drug culture that emerged from psycho-active drugs like LSD, Marijuana, Mescaline, and Peyote. The band came to prominence in San Francisco in 1965. The original group of six, featuring lead singer Grace Slick, had a seven-year run. Later incarnations of the group lasted until 1990, but the original group spawned the songs that mattered. “Comin’ Back to Me” is one of those hits. The piece appeared on the band’s second album, Surrealistic Pillow.

The story behind “Comin’ Back to Me” goes like this. While sharing a joint of righteous Marijuana with blues guitarist and harpist Paul Butterfield, Marty Balin wrote the song in five minutes. “It just popped out,” Balin said in an interview. He immediately went to the studio to record the song with any available musicians there. Jerry Garcia happened to be one of them.

In addition to being one of the Airplane’s greatest hits, the song was covered by major recording artists like Richie Havens, and versions of it appear as background music in several Hollywood feature films.

Here’s my cover of the song.

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acoustic guitar Arts & Entertainment music

Another Slice of “American Pie”


Don McLean released his iconic album, “American Pie,” in 1971. The title song epitomizes the era of the nineteen-sixties. A famous lyric from the title song, “The Day the Music Died,” refers to the day Buddy Holly’s plane went down. Holly and the other passengers, including Ritchie Valens and The Big Bopper, all died in the crash. The song “American Pie” lasts for nearly nine minutes, memorializing other landmark events of the era through rich metaphors. Some of the other outstanding songs on the album include “And I Love You So,” “Crossroads,” “Empty Chairs,” and “Vincent.” I’ve covered these songs in earlier posts on this blog.

“Winterwood” is an upbeat love song featuring McLean’s typically vivid imagery. Technically, the title of the song does not exist in the English language. McLean invented the name to evoke the sights and sounds of a snowy mid-winter day with the sun peaking through barren tree branches and birds chirping in the background. The image came to Mclean as he rode through mid-winter streets recalling fond memories with his wife by his side. The image and the related memories stayed with the artist for six months until he finally wrote “Winterwood.”

The technique is a departure from the finger-picking method I used in many of the other songs I’ve posted. “Winterwood” is played entirely with a guitar pick (flat picking). I abbreviated the introductory lick because it might have taken me six months to learn.

Time and Opportunity Wait for No One.

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Arts & Entertainment folk guitar music

“American Pie” Gold Nuggets


“Crossroads” is another great song by Don McLean. It first appeared on his hit album, “American Pie.” Although the song is not as well-known as the title song and some of the other songs on the album (“Vincent” “And I Love You So” and “Empty Chairs“) Crossroads is nonetheless moving and beautiful.

On the surface, the song is about a man remembering a long-lost love with a sense of regret and a desire to turn back time. I believe the subtext of the song has a larger and more universal meaning: hope and happiness can be found with anything that joins us on the inevitable journey of life. It doesn’t have to be a lover or anyone in particular. It can be an idea, a thought, an emotion, or even an absence of something or someone. An absence can be as strong a motivator as a presence.

On the album, McLean performs the song on Piano. Fortunately, my good friend and tutor, Jerry’s Guitar Bar, has transposed the song for guitar. Here’s my version.

nuggets of gold

BELIEVE IN YOURSELF. BELIEVE IN A POSITIVE OUTCOME. AND, IT WILL BE SO.