I first heard “Cornflower Blue” as the opening song on Kate Wolf’s 1983 double album “Give Yourself to Love.” As I listened to the album many times over, “Cornflower Blue” grew on me (no pun intended). I began to appreciate the exquisite beauty in the lyrics and in Kate’s lovely singing voice.
Oftentimes, songs like this one will find their way into my heart and I feel compelled to play them myself. With this song, I had my doubts. The chances were good that I might not pull it off. Learning how to play “Cornflower Blue” like Kate does was like learning how to walk again. The style is completely counterintuitive to what I’m used to, but I’m glad I made the effort. I hope my cover of the song conveys some of the mystery and beauty of the original.
Bob Dylan recorded the first version of “Tomorrow Is A Long Time” in 1962. He didn’t release it until 1971 on his “Greatest Hits Album.” Oddly, Ian and Sylvia were the first recording artists to release the song in 1963 on their album “Four Strong Winds.”
The song is about longing for a loved one, specifically Suze Rotolo, who Dylan dated from 1961 to 1964. It is widely believed that another Dylan song, “Girl From The North Country,” is also about Rotolo.
Relationships, and especially love relationships are difficult. Here’s my cover of “I Thought I Was A Child,” a song about the universal search for love and Browne’s admiration of the wisdom of an older woman.
In her brief lifetime, which was cut short by Leukemia, Kate Wolf became a major influence on the folk scene with songs like “Give Yourself to Love,” “Across the Great Divide,” “Green Eyes,” “September Song,” and many more. Kate’s audience has continued to grow since her unfortunate passing. As an example, I found her late in my life. Here’s my cover of “Green Eyes.”
“Day Is Done” is a simple song about a clandestine relationship. Since very little has been written about the song, it is difficult to pinpoint its exact meaning. It could be about two married adults having an illicit affair. The lyrics and tone, however, indicate a relationship between two adolescents forbidden by parents or society.
The drawings on the album cover of “Lost Dogs and Mixed Blessings,” where the song is one of the tracks, tend to support the theory of a prohibited young love.
In “Day is Done,” Prine has written a charming little song with universal implications. Many of his songs deal with the intricacies of human relationships and are laced with Prine’s subtle sense of humor. Lost Dogs and Mixed Blessings was John’s fourteenth album. Released in 1995, it is another example of the artist’s exploration of the human condition.
From humble beginnings, John Prine came a long way in his fifty-year career. He won Grammy Awards and was posthumously inducted into the Country and Folk Music Hall of Fame. What struck me, however, is this early recollection of his career. It is taken directly from Prine’s official website:
“Prine still remembers the first three songs he performed on any stage: Sam Stone, Hello in There, and Paradise. With humility, he recalls, “I sang those three songs and people just sat there and looked at me. I thought, ‘Wow, those are really bad.’ They wouldn’t even applaud.”
Things changed dramatically when a young journalist named Roger Ebert dropped into a Chicago folk club for a beer while John was on stage. Ebert wrote a glowing review of Prine’s performance in the Chicago Sun-Times which essentially launched John’s career.
Is Marc Cohn a one-hit wonder? The answer, in a word, is “yes.” That being said, Walking in Memphis is a noteworthy accomplishment for a man who has spent most of his career steadfastly under the radar.
To his credit, Marc won a Golden Globe Award in 1991 for Best New Artist. Now, well into his fifties, Cohn is still touring with an ambitious schedule ahead in 2023.
Working on this song made me wonder: What made Elvis Presley so popular? In case you may be wondering too, here’s an article that helps to explain it.
In a ten-year career tragically cut short by Leukemia, Kate Wolf wrote and performed over 200 songs. Her music is poignant, straightforward, honest, and beautiful. She performed at venues throughout her native state of California. Since her passing in 1986 at the age of 44, Kate’s audience has grown steadily as people like me discover her music. “September Song” (recorded on Kate’s 1979 album “Safe at Anchor”) is one of my favorites.
The song is replete with images. I particularly like the image conjured in the second verse illustrated below:
“The ghost of a frontier lady walks through the tall rooms/Of an old Ontario farmhouse under the full moon.”
Hi everyone. The voice I’m referring to here is not mine. It belongs to Kate Wolf (1942-1986). She wrote and performed (mostly in her native California) over 200 songs. Her music comes directly from the heart and tends to be bittersweet. In 1980, Kate released her fourth album on her own label, Owl Records. The album is titled “Close to You.” Many of the songs on the album have become fan favorites, including some I have posted on this blog: Across the Great Divide, An Unfinished Life, Here in California, and Stone in the Water.
A recording of Kate playing a song by Tom Paxon called “Hold On to Me Babe” drew me to Wolf’s music again. Her voice is transcendent as it is in most of her recordings. I haven’t been listening to Kate’s music lately, and her version of Paxon’s song reminded me of the beautiful realms she takes me to.
Another song on the album reminded me of the precious few people I have been close to in this life. Here is my cover of “Friend of Mine” with an original accompaniment.
I’ve always wanted to learn Kate Wolf’s guitar-picking style. Granted, she plays every song she’s written differently, but I just wanted a glimpse. Since Kate has mostly been an under-the-radar, brilliant singer/songwriter, no one has taken the time to create an accurate tutorial of her guitar method. That is until now. My go-to-teacher, Jerry Lamberth, best known for his unequaled guitar tutorial site (Jerry’s Guitar Bar) has finally posted the first of what I hope will be many lessons of Kate Wolf’s songs.
We lost Kate almost forty years ago to Leukemia, but her music has endured across the barrier of time. Coincidentally, the song is about memories of times past.
Not surprisingly, “Across the Great Divide” is one of Wolf’s most popular songs. Without Jerry’s help, I would never have figured out how to play the song Kate’s way. She uses a simple and at the same time complex alternating base method the likes of which I’ve never seen.
Kate wrote “Across The Great Divide” specifically for Robbie Osman’s folk-oriented show of the same name on KPFA radio, San Francisco. Robbie and Kate were friends who shared similar experiences.
This exercise might be a case of “careful what you wish for.” I busted my ass and fingers to learn this. Here’s my cover of the song.
If you love life with abandon, everything you want will come to you quickly and freely.
Even if you aren’t a fan of seventies music, you’ve probably heard Don McLean’s hit song, “And I Love You So.” What you may not know is that the song was widely covered by other recording artists, most notably Elvis Presley and Perry Como. Yes, I said Perry Como.
In a career that spanned decades, Don McLean wrote and recorded twenty-two studio albums, four live albums, and 16 singles. He is best known for his song and album of the same name, “American Pie.”
I’m constantly amazed at the way major recording artists create unique compositions to express their music. “And I Love You So” features an original picking method combined with interesting chord shapes. Learning to play a song the way the artist does is a great way to expand your musical scope and technique.
Here is my cover of McLean’s hit. I’ve re-recorded it one fret lower.
Take the next step that’s in your wheelhouse. This is the path to your success.
Heart Banter by David Gittlin 