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Cat Stevens and Alun Davies: A Musical Journey


In this song, Cat Stevens is singing to a woman he yearns for in a Human form. On another level, he may be singing, aware or unaware, to the Divine Feminine. In either case, the object of Stevens’ love is unattainable in the present. Yet, I believe, the admirer (Stevens) continues to yearn for his beloved in the hope that he will, one day, meet his perfect love, in either or both Human and Divine forms.

There are many interpretations of “How Can I Tell You.” In my view, the song is hopeful rather than despairing. However one interprets “How Can I Tell you,” I feel the song is filled with incredible beauty that cannot help but shine through.

Stevens first met Alun Davies as a backup musician in a recording session. He liked what he heard. After another session, Stevens recognized that Davies was an exceptional talent. In a following private session, Stevens played something like fifty of his original songs for Davies, whereupon Davies decided Cat was also an exceptional talent. He agreed to accompany Stevens on an upcoming tour. After the tour, Davies became Stevens’ permanent 2nd guitar until Stevens stopped playing music with his conversion to Islam in 1977. When Stevens began performing again in 2003, the two artists reunited.

Here is a new version of “How Can I Tell You” with me playing and singing Davies’ now famous second guitar part.

Solo Version

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acoustic guitar artist profiles Arts & Entertainment folk guitar Folk Song Covers relationships songwriting

Steve Gillette: Influential Folk Artist and Songwriter


Have you heard of Steve Gillette? If you were alive in the 1960s and liked folk music, there’s a chance the name rings a bell. Gillette never reached the top of the charts, but he’s a very talented singer/songwriter. Many of his songs have been performed by artists you have heard ofincluding John Denver, Gordon Lightfoot, Ian and Sylvia, Nanci Griffith, and Linda Ronstadt.

“The Bells in the Evening” appears on Gillette’s debut album, released in 1967. The album, simply titled “Steve Gillette,” stands as one of Steve’s finest recordings. “The Bells” is a bittersweet (actually sweet-bitter) song of love blossoming in the spring and fading away in the fall. I find the melody and lyrics deeply moving. Perhaps you will, too. The song is also replete with imagery. When you listen, what images come to your mind?

I’ve revisited “The Bells of the Evening,” adding a new background track by Giovanni Egusquista. Here’s my cover.

“Bells In The Evening” With Backup Instrumentation

“Bells In The Evening” Solo

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acoustic guitar artist profiles Arts & Entertainment electric guitar love music relationships songwriting

Heartfelt And True: “Everything I Do” Cover


A movie studio commissioned a composer to write a song for Kevin Costner’s Film, “Prince of Thieves.” He wrote the music for “Everything I Do.” Bryan Adams, with his producer Mutt Lange, wrote the lyrics, bridge, arrangement, and outro. Adams used a line from the movie for the song title.

The studio did not like the instrumentation in the finished product. They buried it midway in the credits, not anticipating what a huge hit the song would become.

“Everything I Do” is one of the most successful singles of all time, selling over 3 million copies. It was #1 for 16 weeks in England and seven weeks in the United States.

Enjoy my cover with background instrumentation by Giovanni Egusquiza. 

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acoustic guitar Arts & Entertainment electric guitar folk rock love relationships songwriting

“Heaven” 2.0 With Digital Backup


Here’s my cover, produced with an incredible guy I’m working with to create unique recordings of beautiful music written by masterful artists of the past 60 years.